The telescreen can never be turned off; only turned down.
Fate found me in a government building sans a book or a cellphone. A television blared from the center of the room, commanding all attention. For the first time in many years, I watched regular television programs, marooned in a state waiting room, surrounded by strangers.
Like many others, I have a television that is only used for DVD’s or the inevitable Netflix account, giving me a certain amount of freedom as to what I want to see. As I get most entertainment and news from the Internet, I never quite realized how bad the “normal” and “apolitical culture” has become.
The first show was an episode of “House” in which the eponymous doctor attempts to help a marriage counselor with a mysterious illness. The male counselor is suffering from low testosterone among other problems, and House puts him on a dose of the male hormone while they attempt to figure out the source of his illness.
Initially, the testosterone makes the patient feel better, act more decisively, and feel more sexually attracted to his wife. However, he starts making decisions without her and demanding his wife respect him as the “Man of the House” (the title of the episode). The wife is shocked by this behavior, wondering where her compliant, submissive husband went. Watching a video of one of her husband’s earlier business seminars, she is disgusted by the way her husband used to preach a creed of take no prisoners capitalism. “I never would have gone out” with a man like that, she sniffs. In the end, the patient is saved – but before he is discharged, he asks for the testosterone to be lowered. He admits it makes him feel better – but making his wife happy is more important.
The next show was NCIS, starring heroic law enforcement officers working for the Department of the Navy. Two of the male protagonists in this episode were married to the same woman, and the plot now centers on her third husband. There is a terrorism plot against the Joint Chiefs of Staff who are all going to a football game (insert your joke here.) When the plot is predictably foiled, the dying terrorist tells the law enforcement agents, “You don’t even know what you’re defending.” It is revealed that the terrorist–an employee of the Homeland Security Department–was sponsored by someone in the military industrial complex, presumably to prevent defense cuts. Thus, as always, the real terrorists are those who promote fear of “the other.”
There is a Narrative. It is never fully defined but we all know what it is. Heterosexual white males are holding everybody down. Racist forces are numerous, powerful, violent, and everywhere. Hate crimes are rampant, homosexuals are brutally oppressed, and every wife in the country puts on make up in the morning to hide the black eye she got from her husband.
The defining characteristic of the Age of Obama is not anything the President did or any historical event overseas. It is that Obama seemed to open a door to the anticulture of the egalitarian Left to fully take over the mass media. It seems genuinely incredible that there was a time when parents used to protest things like sexual content or obscenity on television. More than that, it is only in the recent past there has been a shift were the “default” culture is socially egalitarian, explicitly anti-Christian, and explicitly anti-white. It is not media bias that is the program – it is the moral vision presented by sitcoms, talk shows, and the daytime pap consumed by your average White Americans.
This propaganda is all the more insidious because it is diffuse. Despite the extreme concentration of the American mass media, most Americans cannot recognize propaganda as propaganda unless it specifically comes from the government. More than that, unless it comes with militaristic trappings and the aesthetics of fascism, most Americans will not see social conditioning as sinister or even intentional. It will be simply be interpreted as freedom in action. Unlike in They Live, there isn’t just one television signal we can blow up to reveal the horrible truth.
A sign of successful propaganda is that the intended target can’t remember where he heard it, but he swears it is true. This is easy to accomplish when degeneracy serves as a kind of background noise for the entire society. Millions of half-formed impressions, snippets of conversation, and barely remembered storylines will far outweigh any coherent argument or even cogent slogan in defense of positive values. The prevalence and uniformity of the media is such that for a huge segment of the population, “creating awareness” and “education” are nothing but a tremendous waste of time.
But there is a bright side. It also means that “Come the Revolution” (as the Left used to say), most people will believe whatever they are told to believe. It means that even when public opinion is nominally against the Dissident Right, a vast swath is simply unthinking allegiance to whatever they vaguely remember from Oprah that morning. And it means that culture is a creation, not a source, of power. It means that victory is not impossible.
This is nothing but a silver lining for the dispossessed Dissident Right and the European peoples they fight for. But just try to watch some TV for fifteen minutes – and after that, I’ll take any glimmer of hope I can get.