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Tag: Europeans

The Absolute Essence

What lies buried shall be unearthed, and who has been rendered oblivious shall be invited to remember. Working towards this is the main task imposed on us.

What lies buried shall be unearthed, and who has been rendered oblivious shall be invited to remember. Working towards this is the main task imposed on us.

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An Uncertain Idea of Europe

The historic “Brexit” vote marks, by my count, the first derailing of a major globalist project. For many years we were promised/threatened: “Jean-Marie Le Pen in the Second Round!,” “Financial Meltdown (Unless Some Elite Jews Save Us)!,” “Greece to Leave the Eurozone!,” “Nationalist to Win Austrian Presidency!” etc.

Now, finally, a Happening has happened!

Actually, Brexit is clearly the second Happening of this year, after Donald Trump’s successful hostile take-over of the Republican Party from the Goldman Sachs/Neocon mafia. For this alone, Trump’s name will resound throughout the ages.

Of course, neither Brexit nor Trump, in themselves, will save Great Britain or European-America. What is so exciting is rather the method: for the first time in living memory, power is being wrested from corrupt ethno-plutocratic nation-wrecking elites through semi-cryptic ethnic appeals to the White masses.

The historic “Brexit” vote marks, by my count, the first derailing of a major globalist project. For many years we were promised/threatened: “Jean-Marie Le Pen in the Second Round!,” “Financial Meltdown (Unless Some Elite Jews Save Us)!,” “Greece to Leave the Eurozone!,” “Nationalist to Win Austrian Presidency!” etc.

Now, finally, a Happening has happened!

Actually, Brexit is clearly the second Happening of this year, after Donald Trump’s successful hostile take-over of the Republican Party from the Goldman Sachs/Neocon mafia. For this alone, Trump’s name will resound throughout the ages.

Of course, neither Brexit nor Trump, in themselves, will save Great Britain or European-America. What is so exciting is rather the method: for the first time in living memory, power is being wrested from corrupt ethno-plutocratic nation-wrecking elites through semi-cryptic ethnic appeals to the White masses.

There is no telling what this will lead to, which is why the elites are so scared, but there is no doubt the chances of freedom and survival for European humanity increases everywhere.

Why now? Peak Diversity + The Internet, I guess.

Ethnocentrism is an emotion, always politically exploited, often by those hostile to our people, a weapon, rather than an end in itself. Some of the Brexiteers (for example, the eternal shill and selective Churchill-quoting1 Daniel Hannan) are already agitating for more immigration. They’re not interested so much in an actual Great British Nation as the “sovereignty” of a non-nation/administrative unit known as the “You-Kay.”

Ethnocentrism alone is blind. Emotion must be combined with reason. What is our reason? We believe in Darwin and evolutionary science. Man is, at bottom, a biological entity and, in particular, his potentialities are circumscribed by his genetic heritage. This must be recognized so life may continue its upward evolution, towards the stars, rather than back into the muck. Genetic similarity and quality are fundamental to forming a higher nation, rather than a Third World.

The liberal argues, simultaneously:

“Those Intelligent Design Christians are so dumb! Haha, everyone knows Darwinian evolution and genetics are real!”

“Oh my, anyone who suggests Darwinian science may have public policy implications should be hounded from polite society!”

These people are criminals: A lack of intellectual curiosity, combined with self-righteous incoherence and moral cowardice.

We refuse nihilism and preach a spiritual awakening in service of a great cause.

Given the quality of the official Brexiteers, it’s no surprise that Richard Spencer was not entirely enthused by the prospect of Faragistan. The nations are real. The nation-state—the harmony of ethnos and polis—is “the political masterpiece.” But, the fact of the matter is, our blood does not stop at mere linguistic or political boundaries. No individual nation-state can claim to be more important than the whole that is the greater European bio-culture, our magnificent family of nations.

The Identitarians have been guilty of small-mindedness, too. To paraphrase Roman Bernard: WE ARE NOT HOBBITS!

Thus, the online masses of disenchanted Anglo NEETs are rallied across the world to an epic Kulturweltkampf in the name of an awesome Sorelian myth—Empire Europa.

The universal European ethno-state! Whitemanistan!

The cultural foot soldiers of the Anglo-American Alt-Right are already being felt in the motherland: The French fachosphère is beginning to identify (((anti-Gentiles))) in the comment sections and even the Germans (what with all their “freedom & democracy” are liable to be shipped to Merkel’s gulags) are making videos about it.

But building an ethno-state is hard. Do we have precedents in our history? To an extent:

Sparta & the Delian League: Eternally glorious Sparta was a real ethno-state; the Athenian-led Delian League united Greek city-states in the common struggle against Persia. Small.

Frankish/Catholic Europe: Charles Martel halted the Arabs at Poitiers; Charlemagne founded a short-lived empire, but this established a common religion (Christianity) and elite language (Latin) for most Europeans, among much else, it was a basis for the unity of the Crusades. De facto racial boundaries with Arabs and Jews (limpieza de sangre). Accidental.

The American Republic: The Founding Fathers knew a nation could only be built from related stock of high quality (“free White men of good character”), Lincoln agreed (Monrovia, etc.), intensified in the 1920s through action of culture-warriors like Madison Grant and Lathrop Stoddard (eugenics, immigration restriction). Unsystematic, vulnerable to parasitism (and, with comfort, sentimentalism).

The Third Reich: The big tamale. Don’t say anything good about this. SYSTEMATICALLY & FOR FIRST TIME CONSCIOUSLY REORGANIZED CULTURE AND SOCIETY AROUND THE GENETIC WELL-BEING OF THE GERMAN PEOPLE. Eugenics. Baby boom. Jewry removed. Waffen-SS! A bit too systematic (i.e., German). (Muh northwest European gene pool.)

I don’t know enough about the Roman Empire. Unbelievably grand, stoic, manly. Impression: Glorious power, no purpose. Much like America. Unwise.

The European Union is dying. But we need some kind of European union, don’t we?

The European national cultures are a strange thing: each nation has its own state of discourse, its own norms of reference, and things get lost in translation. Ethnocentrism tears us apart.

But the cultural differences are increasingly superficial. Some ethno-genetic differences remain. We’re watching the same Anglo-American culture and producing the same Judeo-Americanized garbage. At most, we just dub it in French or German. So we get this hostile, foreign culture in our own tongue. A small consolation! (The French state is working hard to subsidize cinema so we can also watch Judeo-French garbage, but even the French can’t bear to watch it.) When I see a bunch of SUVs (not tourists), etc., parked outside a French church, I think: “The Americans have invaded.”

As Rammstein intoned: “We’re all living in Amerika!”

European nations are, increasingly, mere linguistic-statal artifacts. Sad to say, but true.

But this is a reality to grapple with: cultural struggle and political action will then, mostly, remain national. And that’s fine. When they’re not deporting Richard Spencer, Orbán & co. in Central Europe are doing a fine job. (Pray hope Putin is taking notes.)

The European Union was/is not a superstate in the making. It’s far gayer than that. Hitler/De Gaulle explained you don’t found an Empire by signing bits of paper. (But, America! I hear you say. No, the American Empire dates from Sherman’s torching of Atlanta, not 1776 and all that.)

Perhaps there should be an Empire. But how to build it? Napoleon and Hitler tried. Third time’s the charm, eh?

You can say: “We should have a European foreign policy!” But then you would need a European Army. And who would pay for that? Then you need European taxes, etc.

It’s a very messy business.

Today the great European nation is, still, America. The European Union is an epiphenomenon of the American phenomenon: The EU will still speak English after the Brits self-deport themselves. Anglo-Americanization will continue. The EU stems from globalist ideology, bourgeois borderless-ness, postwar effeteness, Last Manhood, Anglo-Americanization/American hegemony, not European Wille zur Macht.

Julien Rochedy asks: “How many divisions has the EU got?”

So proclaiming European brotherhood is one thing, building an Empire is another. But how many even proclaim our brotherhood? Dominique Venner was a bon Européen. Jean-Yves Le Gallou defines Frenchmen as “Europeans of French expression.” But most are not so wise, certainly not the official Brexiteers or the Front National. And too many, a Russian, a Frenchman, will identify with an empire or a language rather than the blood that made them possible and gave them their quality.

France should be declared a “European Republic,” you know, by and for European people. So should Germany, Argentina, Russia (if I may be so bold), Australia, at least one of the post-American splinter states, the future Boer city-state (contradiction?) in South Africa, etc.

Some Jews tearfully discuss the Alt Right. To paraphrase:

*“Judea for the Jews! Anything else is anti-Semitic.”

*“Oh yes! And oy vey, all this European nationalist sentiment on Twitter rising. Shut it down!”

“By the way, mental illness among the goyim is the only reason we ever got pogromed.”

Etc., etc., times infinity.

Television is a big part of the answer: Countries in which kids are watching English-language subtitled TV, e.g. Greece, Romania, Netherlands, Flanders, and Scandinavia, are full of “right-wing shitlords.” The Germans aren’t far off. (Frauke Petry in English. Oh my!) If you put this English-language TV systematically throughout the entire White world, you could probably have a Boreal Federation. (Which would be English-speaking, but who cares? We used to speak French, Latin, Greek, and could have spoken German.)

The Identitaires mostly get it.

Diaspora Blacks revel in Pan-Africanism. Even the Muslims have their Organization of the Islamic Conference and the Arabs, their League. The Diaspora Jews have their goddam ethno-state (financed by your blood & treasure, filthy goyim).

Where’s the “Pan-European League”? Who are the undermen again?

We need, at minimum, a League: The United States, Canada, Carolingian Europe, the British Isles, Scandinavia, Mediterranean Europe, Visegrád, Dinarics, Orthodox Slavs, Aussies, Kiwis, etc. Don’t be shy! Even the Argies, maybe.

Then, the stars!

I have to admit when I see the average European goyim I do not think “MASTER RACE!” No, we are damaged, too much Bolshevism, and perhaps, dysgenics.

Europeans are a creative breed. No doubt about it. But the White race did not evolve in the current environment of mass transportation and softening comfort. Modernity is proving to be an extinction-level for event for our breed of humanity. We were not designed for close-up competition with more tribal peoples, not when our ethnocentric reflexes have been so overtaken by our maudlin niceness due to easy living and miseducation.

All of humanity is being “hamsterized,” by their ability: School, mom’s basement, (welfare) office, home, retirement. It doesn’t feel real. One is given money from the Government or (bureaucratic?) BS jobs. Then one trades this for food. Our non-existent life experiences are replaced with imaginary ones concocted by Hollywood & co. Total disconnect from reality. We are totally free to indulge in our pet fantasies, both inborn and injected. (See: Schopenhauer, Tocqueville, and Pierce.) The Matrix in other words.

The average honorless, faithless, feckless goyim, especially the pseudo-educated type, measures political morality and success by the yardstick: “To what extent is the straw in my cage kept consistently fresh?” (Provided by the cage/hamster-owner, of course.)

We are supposed to vote for Hillary Clinton. Plutocratic pseudo-egalitarianism. Rule by Marxist banksters [sic]. Funded by Spielberg, Soros, Abrams, & co. Voted in by Blacks, Mestizos, and feminists. How can anyone not see the discrepancy!?

Reality: It’s the Matrix, in the name of Star Trek.

Lies, lies, lies.

Our people are not evolved for this environment. Thus, we are going extinct, or rather, a culling is occurring. Only the best will survive. But even if only 10 percent of us survive, we will be better for it.

We’ll build the ethno-state in Antarctica if we have to. (Circa 2100: Climate change turned out not a hoax, America RIP, welcome to Eurafrica.)

Our people are currently showing their boundless creativity and idealism in service of an evil cause. Hence, a German woman invites a migrant into her home via the “Refugees Welcome” website, is promptly raped in her sleep. Hence the (male) [sic] Norwegian politician is raped by migrant and feels guilty when the savage is deported to Hackedvaginastan.

Oh yes, they were miseducated, but frankly, we don’t need these kind of people in our gene pool. We should be immune to it. Darwin Awards for all!

But you think we’re bad? Look at the Sub-Saharans, the Indios, the Indians (sorry), etc. The East Asians are impressive in their way, but a bit monolithic, no? I can understand why the Jews come to think they are the real Herrenvolk—but only by latching on to another’s civilization. They can’t even found a nation without massive subsidies from the American and German goyim, acquired through systematic bribery and blackmail by the ever-loyal Diaspora. They have no cohesion. Israelis are too busy scamming each other. (Someone predicted this.) (In my experience, the Sephardim can be as dense and slow-witted as any goyim. The Ashkenazim, to be sure, run rings around us, and they incidentally consider the Mizrahim little better than niggers. (I exaggerate not: The Mizrahim, inspired by American Blacks, founded the “Israeli Black Panthers” to fight the vicious racism of the Ashkenazim. “We wuz Schwartzes!”)

Now look again at our people: without us, “humanity” will surely consume this Earth like a swarm of locusts. (See: Haiti.) And the best of our people, they are something. Especially when they are inspired by the right Ideal. And they need a great Ideal to be truly roused. One as great as the deceit of Equality is evil.

A great man once said: “Europe is a racial entity.” And: “We must think in terms of centuries.” Don’t be modest now!



    Hannan conspicuously avoids discussing Churchill’s postwar immigration policy↩︎
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“Vikings” and the Pagan-Christian Synthesis

“In the gentle fall of rain from Heaven I hear my God. But in the thunder I still hear Thor.” (Brother Athelstan)

Ragnar: So have you returned to your faith, renounced ours? Athelstan: I wish it was so simple. In the gentle fall of rain from Heaven I hear my God. But in the thunder I still hear Thor. That is my agony. Ragnar: I hope that some day our Gods can become friends. Ragnar: So have you returned to your faith, renounced ours? Athelstan: I wish it was so simple. In the gentle fall of rain from Heaven I hear my God. But in the thunder I still hear Thor. That is my agony. Ragnar: I hope that some day our Gods can become friends.

Whenever political activists talk about culture, they need to be careful about not over-reading the artist’s intent.

Rather than guessing what he meant politics-wise, activists have to look for the influences, heretical or mainstream, he drew upon. Unlike the intended message, which is subject to interpretation, cultural influences can be identified with sufficient likelihood.

Though it cannot be proven—and culture industry creators would likely deny it—it is more than plausible that James C. Russell’s The Germanization of Early Medieval Christianity has had an important influence on popular culture.

In Canadian-Irish TV series Vikings, this influence is close to obvious. Though the show’s screenwriters may not have read it—I would be very surprised they haven’t at least heard of it—they seem to have been influenced by it at least through an intermediary text, or person, which/who conveyed Russell’s message.

Russell established in his book that the Christianization of Germanic Europe (in the broad sense, including Scandinavia) was two-sided: the indigenous Pagan faith was replaced, by fair means or foul, by an exogenous one; and in doing so, Christianity was altered by its prey, a process which had actually already begun in the Roman empire.

The ubiquity of Pagan symbols and rituals in European Christianity

This is a reality that is hard to talk about with Christians—and the more conservative, the harder. It is like Edgar Poe’s Purloined Letter: what is right before one’s eyes is what they cannot see. The omnipresence of Pagan rituals and symbols in European Christianity is such that many Christians see them as having always belonged to their faith, even in its first stages, when it was still a markedly Oriental religion.

In some countries, “king cakes” are baked for the celebration of the Epiphany, and crepes are cooked for the day of Candlemas. Both symbolize a Sun disk, and these two Winter feasts were, before Christianity phagocytated them, meant to prepare the return of the Sun.

Of course, we also know that the Christmas holiday was established to replace the celebration of the Winter Solstice, which was a solar cult in various European indigenous religions, most notably in Rome (Sol Invictus).

Interestingly, since the fracture between Catholicism and Protestantism roughly corresponds to that between Latin and Germanic Europe (please note my emphasis on “roughly” before mentioning Catholic Flanders or Calvinist Romandy), Protestants are usually more aware of this unholy origin. As Richard Rives at WND proudly reminded us, Christmas used to be illegal in many Protestant countries. Below is a screenshot from Rives’s video:

That Rome has influenced Christianity is made evident by the fact that the Catholic Church is established in the Eternal City, that the Pope is called “Pontifex Maximus” as the Roman Emperors used to be, and of course that Latin is the main liturgic language. But do all Catholics know that cardinals wear purple cassocks just like Roman senators used to? That priests (in Western churches) are clean-shaven and keep their hair short like the Romans? And that nuns cover their hair as Roman free women did, to distinguish themselves from slaves?

Christianity didn’t merely conquer the Indo-European world. It was also molded by it, almost beyond recognition after centuries of reciprocal acculturation.

This is chiefly what the two first seasons of TV series Vikings are about.


Ragnar (left) hands his plunder over to Jarl Haraldson. Ragnar (left) hands his plunder over to Jarl Haraldson.

When the story begins, Ragnar Lothbrok is an under-achieving farmer, who occasionnaly goes raiding with other Norsemen in the Baltic lands. He resents the authority of Jarl Haraldson, who is a generation older than he.

Every year, after the harvest, Haraldson orders his men to raid East. The plunder is meager, since Balts are not really richer than Vikings. But even though their farms are hardly sufficient to support their families, Ragnar and the other young raiders have to hand over all the booty to Haraldson, who comfortably stays home. If the story was taking place in today’s West, Haraldson would likely be a baby-boomer expecting his children to pay for his retirement pension after a pat on the back, and then wonder why they, unlike him, cannot make both ends meet. But I digress (or do I?).

Ragnar has enough, and so does his brother Rollo (not to be confused with the founder of the Duchy of Normandy; the story is contemporary to Charlemagne, over a century before the Norsemen’s settlement in France).

Ragnar buys a sun compass to a merchant, which enables him to find his way West, beyond the strait that separates the Baltic Sea from the North Sea. There, the merchant told Ragnar, fabulous riches await him in a place named England. Further South is the even-richer “Frankia” (the Kingdom of the Franks).

Since all the ships belong to Haraldson, Ragnar needs a new boat. He asks his friend Floki (reminiscent of the God Loki), to build a flat-bottomed one, that can both navigate on rivers and high seas. The Scandinavian drakkar is born. Floki’s odd appearance and erratic behavior are a nod to Heath Ledger’s Joker (Christopher Nolan’s The Dark Knight), as illustrated by a scene in the second season when Floki tells Ragnar’s son that he’s “just a joker”.

“All things begin and end as stories”

Compass, boat… Ragnar now needs a crew. Rollo gathers the region’s best warriors and sets up a meeting. Wary of Ragnar’s intentions at first, and afraid that Haraldson might punish them for disobeying him, the men are, one by one, taken by Ragnar’s Tyler Durden-like speech. Ragnar doesn’t try to convince his audience by way of factual arguments or logical demonstrations. Rather, he inspires them with a dream, a story they’ll tell their children. As Ragnar puts it, “all things begin and end as stories”:

As could be expected, Ragnar’s raids on Northumbria (one of England’s seven kingdoms at the time) significantly increase his prestige and power in Kattegat, still under Haraldson’s rule. This inevitably leads to a conflict between the two men. Being hunted down by Haraldson’s men, Ragnar challenges Haraldson in combat and, predictably, kills him and becomes Jarl.

“Why are we not looking outwards to the West?”

Being now an important ruler, Ragnar will try to unify the Vikings, still spending most of their formidable energy fighting each other (something Madison Grant lamented). After an epic battle leaving no victor between two Viking armies, one led by Ragnar, the other led by his brother Rollo, Ragnar delivers a speech in which he urges all men to “look outwards to the West:”

During his first raid on Northumbria, Ragnar met with a Saxon monk, named Athelstan. He spared his life not out of mercy, but because, Athelstan speaking Norse in addition to Old Saxon, Ragnar thought (rightly) that he’d be of great use to him.

At first a hostage and then a slave, Athelstan soon became Ragnar’s protégé, and even his main advisor, due to his cleverness, courage, and wits.

This symbolizes the encounter between Nordic Paganism and Christianity. At first disgusted by the Pagans’ uncouth manners, Athelstan will more and more forget his Christian faith and convert to the Vikings’ Pagan religion (or maybe I should say “revert,” since continental Saxons had only recently been Christianized under the iron fist of Charlemagne, who was not always the gentle-hearted, loving king both popular and elite culture have pictured along the centuries).

Of course, the acculturation goes both ways: Ragnar is impressed by the Christians’ ability to build wealthy, efficient societies, while his people are still wasting their tremendous strength in suicidal, internecine berserk.

Christianization, a “come-together” moment for Europeans

For all the legitimate criticisms that Pagan or Nietzschean alt-righters can have about Christianity (especially today’s Christianity, whether Catholic or Protestant), they souldn’t forget that it was the first religion that gave a feeling of kinship and a common purpose to Europeans.

Descendants of the long-forgotten Indo-European people, Europeans had scattered across the heterogeneous continent they conquered and branched off into a number of peoples, speaking many different languages, to the point where they saw each other as foreigners, and even “Barbarians.”

(And it happened again during the first half of the 20th century. Then, Europeans worldwide nearly annihilated each other in wars driven by petty nationalisms that were wrong on all counts: genetic, cultural, moral.)

Christianization, despite Christianity’s extra-European origins and universalistic outlook, was for Europeans a “come-together” moment, and this encounter between two Germanic peoples once separated by faith illustrates it well.


Odin on the Cross

Back to the series, this back-and-forth between Paganism and Christianity reaches a higher level when Athelstan is captured by King Ecbert of Wessex during a new Viking raid. Recognized as a Saxon and thus as an apostate, Athelstan is crucified (see picture on the right) by the local bishop (likely a historical inaccuracy since Emperor Constantine had outlawed crucifixion in the 4th century A.D. and none were documented afterwards).

What struck me when I saw the scene was the way Athelstan was represented. Look at the picture closely. Having been beaten up by the Christian populace, his eye is so black that he looks one-eyed, just like Odin. Given the emphasis on his appearance on the cross, I doubt it is coincidental.

Luckily for Athelstan, King Ecbert arrives just in time. He orders the bishop to cut him down, and once again, Athelstan becomes the ruler’s protégé and counsellor. (Priests advising kings was commonplace then: one of Charlemagne’s main advisors was Alcuin, an English monk.)

Of course, King Ecbert wants to know more about the Vikings to be able to defeat them. He is a symetrical character to Ragnar’s: like the latter, Ecbert rules over a portion of a divided country, and hopes to unify England under his rule. The war with the Vikings must be a way, thinks he, to assert his legitimacy, since he is the only one able to resist them. As we know, however, it is two centuries later a Norseman, William the Conqueror, who will succeed in this endeavor at the Battle of Hastings.

The second reason why King Ecbert takes interest in Athelstan is because as a former monk, he is fluent in Latin. Ecbert wants Athelstan to translate and read him aloud the lives of the Roman emperors (likely Suetonius’s Twelve Caesars), thinking Roman civilization was superior to Early Medieval Europe, which is another historical inaccuracy. The very idea of the “Dark Ages” is a modern fabrication devised by French revolutionaries to justify the Enlightenment’s tabula rasa. Roman basilicas and Gothic cathedrals still stand to testify that the “Dark” Ages were actually bright.

The similarities between Paganism and Christianity

Being forced into returning to Christianity, Athelstan has a hard time forgetting Paganism, as if the latter was a natural faith to him while Christianity necessarily needed constraint. During Mass, he almost falls out when a crucified Christ appears to be bleeding, which reminds him of a Viking, Leif, who was sacrificed at the Pagan temple of Uppsala:

Increasingly, Athelstan is struck by the similarities between Paganism and Christianity. When King Ecbert asks him to tell him more about Odin, Thor, Loki or Freyja, Athelstan responds in a way that both thrills and frightens him:

“Their gods are very old… and sometimes I could not help noticing some similarities with our own God… and His Son.”

Later, when Ragnar and Athelstan meet again (King Ecbert and Ragnar are seeking a truce), Ragnar asks Athelstan whether he has returned to Christianity and abandoned Paganism. But things are not so simple:

Ragnar, who unlike his brother Rollo has not received baptism at this point (this was one of King Alle of Northumbria’s conditions for the peace talks), takes a growing interest in Christianity, which foreshadows the Vikings’ conversion. This of course is a historical short-cut, given that Norsemen would not become Christians before the 10th and 11th centuries.

But religious acculturation is a long march, which proceeds with seemingly benign but, in retrospect, irreversible and accelerating steps. Over three centuries passed between Nero’s persecutions against Christians and Theodosius I turning Christianity into the Roman Empire’s official State religion (380). The latter happened “only” 43 years after Constantine’s conversion on his deathbed (337).

In the series, such benign step is the scene in which both Ragnar and Athelstan recite a Pater Noster before going into battle against King Horik of Denmark. Once victorious, Ragnar becomes the uncontested ruler of the Vikings. A Promethean figure, Ragnar proves that boundaries exist to be tresspassed.

The second season ends on this note (Season 3 will be released in 2015) and I could finish my review here, but I think that beyond the depiction of the Pagan-Christian synthesis, Vikings asks a capital question for us, which is:

Which religion for 21st century Europeans?

Three questions seem to arise here. Should we return to the faith of our ancestors? Should we save Christianity from itself? Or should we overcome both Paganism and Christianity with a futuristic religion that would set space conquest as our “Manifest Destiny?” (I’m leaving aside the question whether we should stick to materialistic Modernity. The absence of Transcendence of the latter obviously argues against such an option. If the status quo was a viable one, our legacy would be guaranteed.)

Returning to Paganism poses a major problem. As Karl Marx famously put it, “History repeats itself, first as tragedy, second as farce.” And I fear a return to Paganism would be such a farce, from what I can judge when I take a look at recent forms of Paganism. Pagans can’t act as if Christianity hadn’t vanquished their faith. I hear the argument that Paganism was just in a state of dormition, and that for most of European history (including when Europeans had no consciousnness of being one people), Europeans were Pagans.

But then, how would it not contradict the imperious necessity of a European Brotherhood? The absence thereof was arguably Paganism’s main flaw, and Christianity, for all its vices, allowed Europeans to get together.

Most readers of this article would return to Germanic and Nordic religions, while the author would have to choose between Gallic and Roman ones (the latter would be more to my liking, by the way; I consider myself a Roman rather than a Gaul). Slavs would be separated from the rest of us. Again.

The same argument works for Christianity. Once united by faith, Christendom has been torn apart by the wars between Catholics and Protestants. These Wars of Religion ended on a “draw,” leading to the triumph of the secular State, which paved the way towards Modernity. That’s where we are now.

Critics of Christianity on the Alternative Right usually blame it for its universalism, but I think the main problem with Christianity is the belief in the Apocalypse. Whether we precipitate the End of the World or wait for it, we can’t have a future (a future far beyond the death and rebirth of our own individual souls, a selfish concern if there ever was one) if we don’t believe that something awaits us (“us” being the long chain linking our ancestors to our descendants) after the Earth has become inhospitable for human life.

Enter this futuristic religion I was mentioning as the third option. The main trap for it would be to amount to “Modernity on life support,” with the West, now encompassing all of Mankind, escaping to new worlds after having made the original one unwelcoming. This would happen only if Europeans keep refusing to drink at Tradition’s rejuvenating spring.

Tradition that comprises both Paganism and Christianity as sucessive, necessary steps in European Man’s upward journey. Yes, that presupposes a belief in linear time. For our mortal planet’s lifespan is linear, too.

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Evolving Before Our Eyes

In Chapter Four of _The 10,000 Year Explosion_, Greg Cochran and Henry Harpending discuss the astonishing speed of genetic diffusion for skin lightening in Caucasians. The single most important gene is Solute Carrier 24A5, and the authors state that the skin lightening variant arose only about 5,800 years ago, yet now has a frequency of 99 percent in Europe and is found at significant levels as far away as Ceylon. Subsequent research has shown that it’s probably a little older, but as Cochrane and Harpending suggest, either way, the variant must have had a huge selective advantage and might have spread so rapidly that, at the most accelerated stage, a particularly old farmer could have noticed the change in appearance in his own village within his lifetime.

Watching the recent film Gangster Squad, my thoughts went something like this:

What is it about the Ryan Gosling’s character that doesn’t quite work? The Josh Brolin and Sean Penn characters—they work. And it’s not that Gosling’s a bad actor and that his looks are unappealing. But somehow, he just doesn’t quite fit 1949. What is it?

Even his suit doesn’t seem right. But it can’t be that—Hollywood must have experts in costuming working on style and tailoring. And I can suspend disbelief on Gosling’s perfect dentition; almost no one had perfect teeth in 1949, but now the entire middle class does. No, it’s no one feature, but the gestalt. I just don’t feel cops looked like Gosling in 1949.’

I’ve had a similar thought watching many period movies: times are changing in fundamental ways.

In Chapter Four of The 10,000 Year Explosion, Greg Cochran and Henry Harpending discuss the astonishing speed of genetic diffusion for skin lightening in Caucasians. The single most important gene is Solute Carrier 24A5, and the authors state that the skin lightening variant arose only about 5,800 years ago, yet now has a frequency of 99 percent in Europe and is found at significant levels as far away as Ceylon. Subsequent research has shown that it’s probably a little older, but as Cochrane and Harpending suggest, either way, the variant must have had a huge selective advantage and might have spread so rapidly that, at the most accelerated stage, a particularly old farmer could have noticed the change in appearance in his own village within his lifetime.

The Gangster Squad is set in 1949—not so long ago, but over a decade before I was born, so I’m not quite the equivalent of that long-lived farmer. Also, there’s the time-travel aspect of film: I suspect a long-lived Bronze Age farmer could have noticed the skin change, but in reality I doubt he would have, because he was brought to the boil too gradually in a pot of lightening skin. But in a film set in 1949 and released in 2013, I can erase those 64 intervening years all at once. It’s as if that farmer, dreaming of his youth and the dusky charms of his maiden field companions, woke to find the fair-haired son of the local warlord showing a particular interest in his great-granddaughter.

It all got me to thinking, once again, about the evolution taking place within our lifetimes. There are a few items people wonder about.

First are the trends that “everyone knows”—those that, like Darwinism itself, we all think we understand. Increased race-mixing may be the most obvious. Whenever I get “race-realist” with my scientist wife, her reaction: ‘It’s all going toward one mixed brown race and there’s nothing anyone can do.’ And if I take that to my scientist father, his reaction boils down to ‘Whites deserve it in the end.’

That’s how it is with scientists; they are self-selected for incredible patience; the key segment of any experiment, no matter how creative, is one of passive observation of external nature; and scientists tend to orient to the geological scale of time. All this leaves them with little faith in the long-term power of will.

I doubt modern race-mixing is quantitatively so different from past upheavals, say, with the great migrations in the wake of Rome’s decline. For that matter, the Roman expansion must have spurred a lot of miscegenation, and the rise of sailing before that. To genes, planes are no faster than boats. Sure, migrants can now get to a new country within hours instead of months. But any descendants they have there will still require several generations, at least, to become truly comfortable. Geographic determinism got a bad rap under race-denying Jared Diamond, but that’s because he left a step out. Diamond believes geography determines culture, but it clearly should be geography determines genes determine culture. Race-realists should note the primacy of geography either way. Mountains and plains are not going away any time soon, are still important, and will re-assert themselves still more if the jet and the air conditioner run their course.

Something else race-realists all think we know is the dysgenic aspect of demographic transition theory. Leading edge dogma now is that a group of gene-based qualities, basically those that select for a prosperous farmer, have been favored reproductively since the dawn of agriculture; but with the maturation of the Industrial Age, they no longer are. Among these were relatively high intelligence, more patience through delayed gratification and impulse control, the capacity for hard, sustained work, and relatively low aggression. Essentially, high paternal investment. For 10,000 years in the earth’s temperate zones, these qualities led to having more children on average; but they no longer do. That change is the basis of demographic transition theory, with much speculation about widening IQ gaps, smaller elites and benighted mobs.

But I want the personal touch. Here’s one: I confess to being occasionally so masochistic that I listen to NPR. And the morning of this writing, I was tuned in to an interview with a blogger well-known in “popular genetics.” I’d never heard his voice before. My immediate impression was how feminine it sounded, not to the degree of the overt gay accents commonly heard on NPR, but very different from the deep, reassuring voices that were the rule among male radio personalities until very recently. The topic of the conversation was the genetics of the fetus his wife and he were expecting. Not absolute proof of heterosexuality, but good enough for me.

I see the “metrosexual” voice as something of a milder version of the gay accent. A portmanteau for the ability to pick out distinctions like the latter is “gaydar.” It’s interesting that the validity of gaydar (and its nearly instantaneous, gestalt aspects) have been scientifically validated, though mostly visually. (It’s even more interesting that the original research into gaydar failed to validate it and subsequently, more careful research did—one wonders whether the first group had an ideological motivation.) Yet auditory recognition is typically more implicit and indescribable, more gestalt, than visual. If you find it hard to describe a friend’s face in detail, trying to describe his voice is really dancing about architecture. Yet you can instantly recognize both. And some kinds of 10,000-hour people, like old-school sonar operators, find that even when they have simultaneous video and audio versions of the signals they are trying to distinguish from background noise, it is the audio that tells them the most, but in ways that are almost impossible to describe, ways in which there is no substitute for experience.

Seeing Ryan Gosling in a period movie and wondering whether faces really looked like that only seven decades ago is fraught with all kinds of bias. So is concluding that the metrosexual voice is evidence of a feminization that is partly genetic. Nevertheless, I think it is. Mike Judge nailed it in Idiocracy: the 100-point IQ of Joe Bauers, the definitively ordinary hero, becomes ingenious in the idiocy of the future, and his middle-of-the-road voice becomes correspondingly “faggy.”

If I’m right, then evolution toward more pliant husband material, originally reflecting higher paternal investment, is not over in the developed world. Women are continuing to choose softer men, or at least men who are far from being natural masters, to breed with. Many will argue that the metrosexual voice must be all cultural, that it burst far too quickly on the scene to reflect anything genetic. Maybe they’re right, but I like my version. I bet that old farmer’s wife tried to convince him the young folk of the day were just spoiled by a soft new culture, and didn’t spend enough time out working in the sun.


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Subverting Thor

How can you pervert a perversion?  The Marvel version of Thor has about as much to with Germanic heathenry as the screeching crone Madonna has to do with the Theotokos.  The entire history of the character is an insult to the old European belief system, and was intended as such.  But the recent controversy over Marvel’s “Thor” being transformed into a woman shows that even bastardized Western symbols have to be subverted, as modern culture is unable to create something original and admirable. 

How can you pervert a perversion?  The Marvel version of Thor has about as much to with Germanic heathenry as the screeching crone Madonna has to do with the TheotokosThe entire history of the character is an insult to the old European belief system, and was intended as such.  But the recent controversy over Marvel’s “Thor” being transformed into a woman shows that even bastardized Western symbols have to be subverted, as modern culture is unable to create something original and admirable.

The Thor of the comics was not simply the God of Thunder put into a fictional universe so he can fight Galactus or Absorbing Man.  Thor has a dual identity within the Marvel mythos as he is sometimes Dr. Donald Blake, a physical weakling.  Odin forced Thor into this identity in order to teach him a lesson about humility and become “worthy” of wielding Mjolnir.

The latest Marvel movies, which inform how most people think of the character today, dismissed the dual identity premise.  Even when he is not wielding Mjolnir and stripped of his divine power, the movie character is still a highly effective warrior capable of, in Agent Coulson’s phrase, “making some of the most highly trained professionals in the world look like a bunch of minimum wage mall cops.”

At the same time, they have kept the larger idea of breaking the proud Thor and turning him into a soldier for egalitarianism (and mysterious multinational government agencies).  Thor’s highbrow speech and noble lineage is a punch line, and Thor only becomes “worthy” when he tells Loki to stop being like Hitler and sacrifices himself to make the world safe for Natalie Portman.

But while the movie Thor is perverted, he’s still a dull reflection of the actual Thor, a greater Western archetype of strength.  More importantly, the character always thinks of himself as Thor, even when he’s lost his supernatural powers.  The subversion is one of ideology, not identity – Thor’s strength and character is “broken,” rebuilt, and then used to save democratic man (or woman, in Portman’s case).  It’s simply the cinematic version of Seal Team Six going through hell so their daughters can be like Miley Cyrus.

In contrast, the comic book divorces Thor’s essential characteristics from the character itself.  Stan Lee pictured Thor in his true form as “looking like Vikings of old, with the flowing beards, horned helmets, and battle clubs.”  But Thor’s consciousness is somewhat divided.  While “Blake” is always “Thor,” his status as one of the Aesir is something conditional, rather than something that he just is.  Thus, as recent apologists for Thor’s sex change argue, Thor in the comics is not always a mighty Norse god–sometimes he’s just a man—or even a frog.  Like the word Christ, Thor is apparently less a name than a title.

Thus, Marvel can say, “This is not She-Thor. This is not Lady Thor. This is not Thorita. This is THOR. This is the THOR of the Marvel Universe. But it’s unlike any Thor we’ve ever seen before.”  But it’s not really.  It’s just transferring the personification of power into a more politically correct vehicle.  In the Marvel Universe, Thor isn’t really the hero or even really Thor – Mjolnir and the power it contains is.  After all, the weapon is inscribed, “Whomsoever wields this hammer, if he [or she apparently] be worthy, shall possess the power of Thor.”

Within Marvel’s announcement there is a representation of the “Unworthy Thor” stripped of power, who looks like some kind of archaeo-futurist barbarian borne of the collective unconscious of the New Right.  Maybe he just got tired of fighting to make the world safe for Tumblr.

As with all actions of this type, there is a financial motivation.  Marvel says it will “speak directly to an audience that long was not the target for super hero comic books in America: women and girls.”  But as Time magazine points out, even young boys don’t buy much in the way of comic books these days, let alone girls.  While there might be a slight uptick in female readers, a “gimmick” like a sex or race change  gets the niche market of comic book fans–mostly “middle-aged men”–to make sure they pick up the latest issue.

The female Thor accordingly corresponds to the cover girl aesthetics of “strong” female characters—who don’t exactly resemble female powerlifters and couldn’t put up 225 on a squat rack, let alone duel a frost giant.  Fictional portrayals of “strong” women like Buffy the Vampire Slayer or Lara Croft are mostly designed to appeal to men by combining cover girl aesthetics with masculine actions.  This of course is prompting criticism that we must have feminine superheroes who defeat enemies through “feminine” abilities.  (Like what?  Posting selfies featuring handwritten slogans about tolerance?)

But there is also an ideological motivation.  Comic book heroes–especially those “born in Lower East Side at some point between 1938-1944”–have often reflected the a dual fantasy of subversion and assimilation, with Superman as the obvious example.  He is alien–yet he is also the ultimate representation of the American nation.  Yet as America herself has become passé and unacceptably tied to a European past, superheroes have had to renounce ties to the historic nation and even to their own racial identity in order to remain “heroes.”   

To facilitate this, we get the racial transformation of various characters, such as Nick Fury morphing from a World War II soldier (albeit one who led a “racially integrated elite unit”) into Samuel L. Jackson in both print and film.  Similarly, comic books today are less telling stories than about beating the correct political ideology into a dumbed down audience.  Therefore, Archie will soon die taking a bullet fir
ed by a fanatical gun rights supporter at his gay friend, who is “married” to a black man.  Soviet propaganda looks like a model of subtlety in contrast.

What never seems to catch on is the actual creation of heroes that don’t owe something either to a past White identity or Western archetype.  Those that are created come off like unintentional comedy, like “Black Panther”–and he’s probably the best of the lot.  He hails from the “technologically advanced” nation of Wakanda, menaced by the evil quasi-Afrikaner nation of Azania and its evil champions (like “Voortrekker.”)  The defining characteristics of affirmative action heroes–indeed their only characteristics–are that they are black, have a vagina, or practice one of the sexual fetishes that our society has deemed worthy of celebration.

Therefore, we are constantly hectored that existing heroes of comics and the screen must be made black–we need a black Batman or a black James Bond.  By doing this, we will somehow convince minorities of various sorts that they too can be universally appealing heroes.

After all, Black Panther represents… being black.

And, Wonder Woman represents… being a woman.

So to get around this, we’ll transform characters with greater appeal.  Archie was supposed to be about wholesome Americana… so we’ll make it about homosexuality and gun control.

Captain America represents patriotism… so we’ll make him black.

Batman represents justice… so the good Republicans at the Wall Street Journal tell us we “need” to make him black soon too.

It is a cultural form of the cargo cult role playing which has led to such historic spectacles like Faustin I of Haiti aping Napoleon by putting a cardboard crown on his head, or America collectively pretending that Maya Angelou’s sub-literate nursery rhyme at a Presidential Inaugural was really a poem.

But Thor is a special case.  The deity Thor is perhaps is most important personage of the indigenous European religious tradition, and certainly the most popular god among ordinary people of the pre-Christian age.  Rather than identifying Odin as the symbolic champion of the old ways, John Lindow in Norse Mythology notes that medieval Scandinavian sources portray “the conversion as a struggle between Thor and Christ.”  During the period of uneasy coexistence between Christians and pagans, believers in the Old Gods would wear Thor’s hammer pendants around their necks–a practice continued by heathens today (and, for that matter, some metal fans).

Therefore, Thor is culturally specific in a way that Superman or Batman isn’t.  Putting him in a comic book is bad enough, as the character is based on a deity that was once the dominant figure for Germanic civilization and who understood and pictured their gods in highly specific ways.  One imagines that the adventures of “Moses” calling on God to drown a mugger in Greenwich Village or “Muhammad” using a friendly jinn to trick Dr. Octopus might be seen as distasteful (although hilarious).

But even if the point to “lighten up” is graciously conceded, Stan Lee pictured Thor along the lines of the romanticized image we have of Vikings of the late heathen period. He wrote him as part of that.  He therefore fits in a certain context that represents a group of people that once existed.  The comic book hero’s adventures and changes have to be limited by what makes sense with the character.  The usual objection that “anything is possible” because fictional heroes are in a world of magic misses the point–the character is based in a specific cultural context and is indeed defined by it.

Moreover, even in fictional universes, magic and supernatural occurrences have rules and context.  A Song Of Ice and Fire has magic, but Ned Stark’s severed head can’t simply start flying around in the middle of the story any more than the wildlings can breach the Wall with an Abrams tank.  Even within the Marvel universe, Thor can’t be a woman and remain Thor just as Cat-Woman can’t be a man and remain Cat-Woman.

Thor’s sex change is political and is defined by its creators as such.  The reason is that to have a white (indeed Nordic) male character associated with the Germanic past and traditional masculine virtues is simply impermissible.  Even in the most bastardized, degraded, perverted form, the existence of a white male Thor in pop culture is an insult to everything our culture is telling young boys to be.  The Marvel Thor has to be a woman – and it has to be a different race next.

Political correctness can only achieve popular appeal through subverting symbols that already appeal to mass constituencies because any new symbols will appeal pathetic by comparison.  And certainly European cultural symbols, even in their most debauched form, are superior to affirmative action culture.  Most Americans, especially children, instinctively sense this.  After all, “social justice man” is hardly something to appeal to the imagination of a typical seven year old.

To be fair, shapeshifting and even gender bending is nothing new even within the lore of European religion.  Loki is, after all, the mother of Sleipnir, having transformed into a female horse as part of a ruse against a giant.  However, while the shapeshifting, androgynous Loki helps various gods (including Thor) on several adventures, he is also the father of monstrous beings who will ultimately unleash chaos and the destruction of the gods.  In this we see the understanding that perversity and chaos, even if used for temporary advantage, further a process of degeneration and final destruction.  Loki is a deeply perverted character, although not an entirely “evil” one in the Christian sense.

Interestingly, there is a story in the lore where Thor must pretend to be a woman–the Þrymskviða.  Assisted by Loki, Thor must disguise himself as Freyja and attend “her” wedding in order to reclaim his stolen hammer.  The giants recognize something is amiss (like when the “bride” eats an entire ox) but Loki comes up with one hilarious excuse after another.  One can imagine our ancestors roaring around a fire hearing this light-hearted tale.

Of course, the reason Þrymskviða is funny is because European religion and Germanic Christianity had a sense of social norms and hierarchy as serving a necessary function.  Bending gender roles on occasion could be used for humorous effect or perhaps in extraordinary occasions (like the “shield-maidens” of legend).  However, it would be absurd to take “pride” in the idea that you are subverting a norm and deriving worth from it–the louder someone boasts of their pride, often the less they have to be proud of.

But America can’t admit that.  “We are all created equal” after all.  So even gods, symbols of gods, and even the fictional heroes of less degenerate times need to be twisted in order to make people feel better about themselves.  In the end, the value of such symbols are frittered away and become objects of indifference or even scorn–arguably, what is happening to American patriotism and identity today.

What Marvel is doing to Thor is part of this.  We should be glad because even though young boys swinging a plastic Mjölnir is better than nothing, such actions ultimately postpone the inevitable.  European cultural symbols, practices, and even gods need to become the source of a vital living Tradition, not objects of exploitation used to propel the elaborate practical joke we call American culture.

Besides, Thor is a red bearded war god, not a socialist teddy bear.  The existence of Marvel’s she-Thor may make it a bit easier for Europeans to start looking into the distinctions and rediscover the living well of Tradition media companies have been leeching from for years.

Yes, it’s an insult.  But we should laugh at how utterly pathetic it is that people feel compelled to act this way in order to feel moral.

And we should remember the end of the Þrymskviða.  Thor gets his hammer back and deals with the situation as the God of Thunder usually does–by using it to slaughter all of his enemies.

There can be these games for a while, and comics’ new world begins, where nonwhites are paid for existing, and transqueers don’t pay for their sins. But as surely as Water will wet us, the sons of Europe will learn–and The Gods of the Copybook Headings, or the Gods of the North will return.

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White Man’s Game

I’ve been following the World Cup since Pelé went out with a bang in 1970. Over the decades, the rhetoric that quadrennially accompanies the soccer championship has grown ever more strident in its insistence that the reason most Americans find soccer less than galvanizing as a spectator sport is that they . . .  fear diversity!

In reality, soccer, both at the international superstar level and at the park league level in America, Ws whiter than football, basketball, or baseball.

For example, the last World Cup was won by Italy’s all-White team. In America, this would be considered scandalous.

This article was originally published on June 23, 2010, at AlternativeRight.com.


Why Soccer is Segregated

I’ve been following the World Cup since Pelé went out with a bang in 1970. Over the decades, the rhetoric that quadrennially accompanies the soccer championship has grown ever more strident in its insistence that the reason most Americans find soccer less than galvanizing as a spectator sport is that they . . .  fear diversity!

In reality, soccer, both at the international superstar level and at the park league level in America, Ws whiter than football, basketball, or baseball.

For example, the last World Cup was won by Italy’s all-White team. In America, this would be considered scandalous.

Let’s look at ESPN’s list from earlier this year of the “Top 50 players of the World Cup.” The five best players in the world — Lionel Messi of Argentina (who is of Italian descent), Christiano Ronaldo of Portugal (a Tim Tebow-lookalike), Wayne Rooney of England, Kaka of Brazil (who is from an upper middle-class family), and Xavi of Spain—are White.

Out of the top 10, eight are White and two from West Africa. Out of the top 50, the proportions look similar. Judging from their pictures, I would say 10 are Black, one is mostly White but clearly part Black, and the other 39 look more or less White. None of the top 50 are East Asian or South Asian, and I don’t see any that are as Mestizo-looking as, say, Diego Maradona, the star of the 1986 World Cup.

In contrast, only one American-born White guy has been selected to the NBA All Star game in the last half dozen years. Most of the prestige positions in the NFL other than quarterback are dominated by Blacks.

Of the soccer top 50, 24 are White guys from the six sunny powers of Spain (9 of the top 50), Italy, Portugal, Argentina, Brazil, and Uruguay. In other words, almost half of the global soccer superstars are Southern Europeans. As baseball discovered back in the days of Joe DiMaggio, it doesn’t really hurt your sport’s popularity to have stylish Mediterranean guys as stars.

Whiteness is even more predominant in American soccer participation rates. From the late 1960s onward, White middle-class parents started to notice that soccer was a fine sport for their children to play, especially now that football and basketball were coming to be dominated at the highest levels by, well, by . . . uh, you know . . . And at this point countless conversations I’ve had over the years with very nice liberal White soccer parents typically break down into uncomfortable gesticulations as they try to not quite come out and say that soccer in America has been, to a large degree, White Flight in Short Pants.

One way to measure how much soccer is played by white youths is to look at a byproduct: the demographics of place-kickers in American football.

Traditionally, American kickers faced the goalposts squarely and swung their legs straight ahead, but in 1964 Pete Gogolak, a Hungarian refugee soccer player, introduced sidewinder kicking to pro football. Kicking the football off the instep rather than off the toes proved to be a superior technique. Foreign soccer players flooded into the NFL, such as Jan Stenerud, Garo YepremianEfren Herrera, and Donald Igwebuike.

Since Mark Mosely retired in 1986, every NFL field goal specialist has kicked soccer-style. Yet, the imported soccer player kicker has virtually vanished. Although NFL rosters are now only 31 percent White, every single one of the 39 players who attempted a field goal or extra point in the NFL in 2009 was a non-Hispanic White.

There are few famous NFL place-kickers anymore, though, because they’ve all gotten so good—they were successful on 82% of their field goal attempts in 2009 versus 56% in 1969. Now, unless they score in a snowstorm, they are only talked about when they miss.

If the NFL wanted more white heroes to attract fans, the league could narrow the goal posts to decrease percentages so that kicking one would be more exciting. Apparently, however, creating more White stars is not a priority in the business of American spectator sports.

In contrast to White youngsters, African-Americans (with the exceptions of immigrants and preppies) don’t much like soccer at all, as can be deduced from how bad at place-kicking Black high-school football teams tend to be.

Trotsky observed that while you may not be interested in war, war is interested in you. Similarly, African-Americans may not be interested in soccer, but the American soccer establishment sure is interested in them. The U.S. World Cup team is about one-third Black (while it’s only one-ninth Hispanic, even though Latinos outnumber Blacks in America and are vastly more interested in soccer).

That’s how Americans think about sports. The solution to every sporting problem is to Get The Best Athletes. And how do you know who the Best Athletes are? They’re the ones with the most Athleticism. (In case you can’t tell, these are all American Sportstalk euphemisms for “Black.”)

FIFA could change the rules to make soccer more a sport of explosiveness and sprinting ability, like American sports. Americans are used to watching games where athletes rush about in a frenzy for a few seconds, then take a breather. We tend to be annoyed by soccer’s shortage of substitutions and timeouts, which leaves soccer players dogging it around the field to conserve energy.

Over the generations, rule changes in American spectator sports have tended toward more timeouts, more substitutions, and more specialization. For example, college football players used to play both offense and defense, but by 1960, the NCAA allowed specialized offensive and defensive platoons.

Soccer, though, hasn’t gotten with the program. This not only reduces the number of commercials that can be shown during soccer broadcasts to un-American levels, it also subtly penalizes players of West African descent who tend to be better at sprints than at endurance running.

This is clear at the world-class level in men’s track & field. Blacks of West African ancestry monopolize the 100-meter dash, accounting for all but one of the 200 fastest times in history. They’re almost as good at 200 meters, not quite as overpowering at 400 meters, and only modestly competitive at 800 meters. They aren’t world class at any longer lengths, although a Black Brazilian did once run a fast marathon in the 1990s. (Brazilian blacks appear to average more East African ancestry than American and West Indian blacks.)

Whites on the other hand, tend to have more endurance than West Africans. The American urge to fix soccer’s rules to make it more “exciting” is a compulsion, in effect, to make soccer a better game for Blacks. White American sports administrators have so succeeded in making basketball and football more “exciting” than soccer that they’ve largely succeeded in pushing Whites out of the NBA and NFL.

So, FIFA could change the rules to make the game more appealing to American spectators, which would benefit Black athletes. But it doesn’t want to. It thinks soccer is fine the way it is, as a White-dominated sport.

The rest of the world seems to agree.

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Like The Roman: Remembering Dominique Venner One Year Later

On May 21st, 2013, Domininque Venner entered the Notre Dame Cathedral in Paris and took his life in a statement of defiance towards the malignant spirit of his age–turning the final act of his existence into a call for all people with the blood of Europe flowing through their veins to arise from their stupor and reclaim their heritage.

On May 21st, 2013, Dominique Venner entered the Notre Dame Cathedral in Paris and took his life in a statement of defiance towards the malignant spirit of his age–turning the final act of his existence into a call for all people with the blood of Europe to arise from their stupor and reclaim their heritage.

The anniversary of his voluntary death reminds us to keep his memory alive by continuing on with our duty to preserve the noble heritage of our people.

Here is some of Venner’s final words that summarize why he chose this action and the message he tried to impart to those who would witness it (courtesy of Counter-Currents):

While many men are slaves of their lives, my gesture embodies an ethic of will. I give myself over to death to awaken slumbering consciences. I rebel against fate. I protest against poisons of the soul and the desires of invasive individuals to destroy the anchors of our identity, including the family, the intimate basis of our multi-millennial civilization. While I defend the identity of all peoples in their homes, I also rebel against the crime of the replacement of our people.

The dominant discourse cannot leave behind its toxic ambiguities, and Europeans must bear the consequences. Lacking an identitarian religion to moor us, we share a common memory going back to Homer, a repository of all the values on which our future rebirth will be founded once we break with the metaphysics of the unlimited, the baleful source of all modern excesses.

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The Other Eurovision Story

But inspiring might not be quite the word to use for the song “My Slowianie”(English translation: We Slavs). It’s a Polish rap song with all of the potential meaning that conjures up.

While this year’s Eurovision gave rise to the new face of European Decline, Conchita Wurst, the story of Poland’s entry that might be just as interesting—and far more inspiring.

But inspiring might not be quite the word to use for the song “My Slowianie” (English translation: We Slavs). It’s a Polish rap song with all of the potential meaning that conjures up. The song itself is an ode to the beauty and rapacity of Slavic women and the English version bears the title “Slavic Girls.”

The music video is quite the piece of media. It begins with the producer of the song, Donatan, awaking with four Polish girls dressed in urban garb in a traditional, rural house. They are then taken in by two elderly farmers who then get an unexplained and unnamed Polish farm goddess (not literally, she looks like one though) to dress them in a traditional Slavic outfits, them to churn butter, and adopt a typical rural lifestyle.

Ok, there’s also an incredible amount of cleavage in the video and at one point the female butter churners gobble down a thick, white substance. It could be called soft-core porn if it wasn’t so over-the-top and hilariously goofy.

There’s also the singer of the song, with the stage name of Cleo, who portrays herself as a feisty Slavic female with a blackish singing voice and dance moves you rarely see dressed in a Eastern Europe folk costume.

Which is what comes to the intriguing part of the song: is this the Kali-Yuga appropriating traditional European culture or traditional European culture appropriating the Kali-Yuga?

This is a (slightly) serious question. Sure, the song can be seen just as pure entertainment and a sign that Poland has a remarkable sense of humor for what chooses to represent itself.

But the fact that the creator of the song (the rap producer Donaten) is an advocate of pan-Slavism and has expressed interest in paganism gives this composition more weight than just a boob fest wrapped in Polka gear.

While it would be preferable if the artist did not resort to Negro cultural forms to express European identity, it still does not overcome the fact that this song makes traditional white femininity cool and sexy. Yes, the butter churning is cheesy and there might just be a little too much tit action for good taste, but those don’t hold back the overall gist of the work.

Even Cleo’s aggressive, black inspired dancing and singing does not offend and rather makes whiteness edgy and unapologetic. White identity is too often construed as the definition of uncool and unhip. Here the hot, Slavic girls turn that notion on its head and express their own sense of cultural identity in a context that made them the fan favorites during this year’s Eurovision.

We have to start expressing White identity in a fashion that is cool and appealing to a broad spectrum of people. I’m not saying that “My Slowianie” should be the example for future projects, but it does point towards a future where it may be possible.

And here’s the music video in all of its busty, butter churning, Polka-infused madness:

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The Conferences of the Future

Conferences are important.  As we know, the Internet has been a godsend for dissidents; however, it is vital that we don’t solely interact in the anonymous, virtual realm of the Web.  We should gather together, network, share ideas, and have fun in the real world.

Dear Friends, 

Conferences are important.  As we know, the Internet has been a godsend for dissidents; however, it is vital that we don’t solely interact in the anonymous, virtual realm of the Web.  We should gather together, network, share ideas, and have fun in the real world.

One of NPI’s most important tasks is to organize conferences, and we are interested in your thoughts on the matter.     

Please take the time to fill out the following questionnaire. It should take less than five minutes and would help us in the coming years create memorable and rewarding experiences.   

Thanks!

Richard Spencer 


3. Which of these potential speakers interest you most?
Please pick three.
4. Where would you like to see a future conference take place?
One of the chief reasons we’ve held national conferences in Washington, DC, is that it is a major travel hub and is accessible to Europeans.

Please choose two.

5. Why do you attend conferences?
Please choose two.

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Immigration Respectability

This year’s CPAC offered few opportunities for anyone in our movement to get a word in about the issues we care about. The “minority outreach” panel—which included a bold agenda for winning Detroit!—was sparsely attended and didn’t include a Q&A.  I was, however, able to ask a question at Thursday afternoon’s panel on immigration—“Can There be Meaningful Immigration Reform Without Citizenship?”  

This year’s CPAC offered few opportunities for anyone in our movement to get a word in about the issues we care about. The “minority outreach” panel—which included a bold agenda for winning Detroit!—was sparsely attended and didn’t include a Q&A. I was, however, able to ask a question at Thursday afternoon’s panel on immigration—“Can There be Meaningful Immigration Reform Without Citizenship?”

This event featured four speakers. The first, Helen Kriebel, advocated for a market-based guest-worker program with minimal government involvement. Businesses would determine who entered the country based on their needs; and workers would gain admittance on a strictly temporary basis, with no promise of citizenship. In others words, Kriebel seeks the creation of a Helot class.[1].

Derrick Morgan of The Heritage Foundation came next. He argued against amnesty in the safest, most boring manner possible. He also stated that no immigration reform of any kind should be enacted at this time because “we can’t trust Obama.”

There final two panelists were Hispanics: Alfonso Aguilar, a former immigration minister from the George W. Bush administration, and the Reverend Luis Cortés, Jr.

I waited patiently … and when Q&A finally came, I sprung into action. Some dissidents like to highjack the mic and turn a Q&A into a lecture—which almost always eventuates in the questioner annoying the audience, getting silenced and then ignored. I wanted to ask a question that would actually get answered. (You can jump directly to my question here . . . in fact, don’t watch the entire panel unless you’re suffering from insomnia.)

I have a moral question, actually, and I think that’s very important. I was struck by Helen Kriegel’s statement that “we don’t want an immigration policy that’s Republican; we want one that’s truly American. Actually, there are a lot of precedents we can look to for those policies. One of them would be the 1924 immigration act, which restricted immigration to Northern Europeans. You could actually go back a lot further and look at the 1790 Naturalization Act, which restricted immigration to “free white persons of good character.”

The motive for all these acts was that Americans really understood their nation as an extended family, and they wanted to choose people they had something in common with; they wanted to value their own over others.

Do you find that immoral? Do you find this American tradition of valuing our own people, European Christians, over others to be immoral, when it seems to be so much a part of America?

Before I the panel started, I was told by a friend, who works in the Beltway, that Derrick Morgan was “really solid.” My impression is that too many people in our movement, starved as we are for allies, think that someone who makes an argument against amnesty—even one that rejects European identity—must secretly be “one of us.” Perhaps Morgan does oppose amnesty because he, secretly, doesn’t want to experience the displacement of his people? I can’t say. It is noteworthy, though, that after I asked my question, Morgan asserted that American Whites do not have a moral right to create an immigration policy based on identity; indeed, such things are “shameful.” In the end, whatever reasonable things he might say, I can only conclude that Morgan is as much a part of the problem as his ostensible opponents.


  1. It would be interesting to ask Kriegel whether the businesses that engaged these guest worker would not just benefit from cheap labor but would be made to pay damages if, say, one of their recruits committed a crime in the U.S. or overstayed his work visa.  ↩
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