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Tag: Gregory Hood

STIHIE: Cambridge Grad Stands By Jamaican Rapist Husband

An elite education certainly does not buy common sense as the tale of this one Cambridge University graduate shows.

An elite education certainly does not buy common sense as the tale of this one Cambridge University graduate shows:

A Cambridge University graduate has defended her sex predator husband who told his victim he was raping her because ‘he didn’t get sex from his wife’.

Adriana Ford-Thompson, a York University research and teaching fellow, described her 37-year-old husband Mark Thompson – branded a danger to women by the judge – as ‘gentle, kind and sensitive’.

The environmentalist said the jury had ‘taken my husband away from me’ by finding him guilty, before he was given life in jail for the kidnap and rape of a student and sex attacks on three other women…

Here’s the background on how the couple met and how he viciously attacked the student he was convicted of raping:

Thompson moved from Jamaica to London at the age of 16, where he took up boxing, before heading to Tanzania in 2005 to teach martial arts.

He met his wife while she was over there conducting research and in 2007 moved to York to be with her while she finished her PhD. They married in 2009.

The jury which convicted Thompson heard he put the student in a headlock and dragged her to his van which he had parked around the corner.

He told the terrified young woman: ‘You have two options – you can give me what I want and you tell nobody what has happened, or tonight is the night you die.’

Read more of this story at The Daily Mail if you are so brave.

Oh, and here’s a picture of the happy couple together on their wedding day.

As Gregory Hood wrote, “Marriage is Dead, Long live Marriage.” Once again, this is another example of the insidiousness of interracial marriage and how it has to require a mentally ill mind, like this woman has, to justify and rationalize it. Let’s hope she doesn’t remarry.

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The Negro and The Instagram

Last week was quite the time for old, seemingly white men to make racial comments about blacks.

Last week was quite the time for old, seemingly White men to make racial comments about Blacks.

We first had Cliven Bundy discuss the problems of the Negro. The media unsurprisingly convulsed in anger in response. It wasn’t anything you wouldn’t have heard on an average day on Fox or Rush Limbaugh – it was just expressed in a way that made it easier fodder for The Daily Show to mock and made it harder for the conservative media to stand by him.

Then we had the leaked tape of the owner of the Los Angeles Clippers disparaging his girlfriend for associating with blacks (even though she is a mulatto herself). That led to many calling for Sterling to lose his ownership and prompted sponsors to flee from his team.

Both the controversy surrounding Cliven Bundy and that of Donald Sterling present an interesting study of prevalent attitudes towards race by different elements of American society. I would like to call these two views: “the colorblind negro” and “the high-status instagram.”

Bundy represents red state America—the tea party demographic to be more precise. As a cattle rancher living out in rural Nevada, he’s a natural voter for the Republican Party and makes the stereotypical consumer of conservative talking points. He became a cause célèbre of the Right because he withstood the federal government’s entrenchment on his private property and transformed it into the excesses of big government versus the constitutional rights of citizens.

It was somewhat of a farce to begin with and seemed like a situation that could’ve only been dreamed up by Rand Paul’s campaign staff—if it hadn’t actually happened. A rancher symbolizing the entirety of Middle America took on the government to protect the (technically illegal) grazing area of his cows and spit on the regulations aimed to protect an endangered turtle. While an inspiring act to stand up to the guns of the Bureau of Land Management, it’s ultimately an act over cows—nothing more.

But since it had nothing to do with race and was largely an economic issue, the right turned Bundy into a folk hero and made his fight righteous in the eyes of the GOP’s demographic.

Then he used the word “Negro” and compared welfare to slavery. That went over the conservative movement’s red line on acceptable race-baiting and they quickly moved to denounce him. What he said wasn’t even racist and if put in a different context, as Peter Brimelow has pointed out, would’ve been the basis of a Paul Ryan speech on inner city outreach:

“I want to tell you one more thing I know about the Negro,” he said. Mr. Bundy recalled driving past a public-housing project in North Las Vegas, “and in front of that government house the door was usually open and the older people and the kids — and there is always at least a half a dozen people sitting on the porch — they didn’t have nothing to do. They didn’t have nothing for their kids to do. They didn’t have nothing for their young girls to do.

“And because they were basically on government subsidy, so now what do they do?” he asked. “They abort their young children, they put their young men in jail, because they never learned how to pick cotton. And I’ve often wondered, are they better off as slaves, picking cotton and having a family life and doing things, or are they better off under government subsidy? They didn’t get no more freedom. They got less freedom.”

Gregory Hood has correctly pointed out that this is just the all-too familiar conservative line about the dreaded “liberal plantation,” meaning the welfare state that keeps blacks enslaved to dependency.

But we all know that blacks choose to be on welfare because it is better than working at dead-end jobs and blacks instinctively know that as a group, they will never succeed or move up in America’s economy.

Government subsidies sound a whole lot more enticing than a shitty job as a janitor. Speaking of janitors… Bundy kinda likes these Hispanics who are replacing blacks at the low-skilled jobs they used to hold:

“Now let me talk about the Spanish people. Now I understand that they come over here against our Constitution and cross our borders. But they’re here, and they’re people. And I’ve worked beside a lot of them. Don’t tell me they don’t work, and don’t tell me they don’t pay taxes. And don’t tell me they don’t have better family structures than most of us white people. When you see those Mexican families, they’re together, they picnic together, they’re spending their time together. And I’ll tell you, in my way of thinking, they’re awful nice people. And we need to have those people going to be with us – not not coming to our party.”

Once again, Cliven Bundy sounds more like Paul Ryan than Jared Taylor.

And his vision is the same: a colorblind America where every person who works hard, respects the Constitution and goes to a megachurch on Sunday is welcome here.

That vision is a fantasy that is unfortunately shared by far too many whites in this country, but believed by hardly any non-whites. As our country continues to balkanize along racial lines, many conservative whites will keep dreaming that one day non-whites will accept their colorblind vision and finally assimilate into the America of their youth.

That won’t happen – but the idea continues to lie at the heart of the conservative multiracialism that Bundy embraces.

That won’t save him though, and no matter how much he says that Martin Luther King would be on his side or how many irrelevant black conservatives they find to defend him, Bundy is a lost cause.

Even though he could stand up to the assault rifles of federal agents, he couldn’t stand up to the charges of racism.

The case of Donald Sterling, on the other hand, presents a more interesting and less covered view of race.

Sterling is a multi-millionaire who lives in Los Angeles and owns a professional basketball team in arguably America’s most multicultural city. He also happens to be Jewish (he was born Donald Tokowitz), has a mulatto girlfriend, earned a lifetime achievement award from the NAACP for the millions of dollars he’s given them, and the only political candidates he has donated to have been Democrats.

Did I also mention that his sport of choice is the blackest sport, both culturally and proportionally, in America? Even President Obama admitted the fact when he ritually condemned Sterling for his racist comments

In the end, Sterling doesn’t cut the model for who the media would normally deem a bigot – but that doesn’t mean they haven’t noticed his racial views in the past.

Sterling made his millions as a real-estate mogul in Los Angeles. He owes a significant amount of his success to discriminatory practices that barred blacks and Hispanics from renting apartments from his business. He preferred Koreans and whites who he felt were better tenants. His opinions on blacks is that they “smell and attract vermin” and that Hispanics “smoke, drink and just hang around the building.”

He ran his business with common sense racial views that blacks and Hispanics would drive away potential renters and lower the value of the properties he was leasing.

Even how he runs his basketball team reflects that he has a certain understanding of racial differences. In a lawsuit filed by a former player, it was alleged that Sterling wanted a team stocked full of poor blacks from the South with a stern, white head coach managing them. You could say it was like a plantation system, and the left has even appropriated the conservative movement’s terminology to attack Sterling’s management style.

What ultimately did him in was his criticism of his mulatto girlfriend for associating with blacks. It focused solely on how it looks low-class and trashy – he doesn’t mind his paramour fucking them of course, he just doesn’t want pictures of her with them on “the instagram.” The idea is that attractive females (in his opinion, she’s not attractive at all in mine) shouldn’t be seen with black men, no matter how successful they are, because it lowers their status.

Sterling’s take on race is further outside of what mainstream society would tolerate than Bundy’s. As a more cynical and crass version of John Derbyshire’s “The Talk,” Sterling has admitted that blacks generate poor living environments, require the leadership of whites to do anything and should not be associated with publicly if you desire respectability. While Derbyshire’s talk was centered on protecting yourself and your kin from potential threats, Sterling’s views are solely about accumulating wealth and status.

In other words, he’s still a vile human being. Not because he’s an alleged racist, but because he cynically utilizes these views to eke out a luxurious existence and entertain himself through the blackest sport in America. He cares nothing about improving society or living by higher ideals, he only cares about himself.

While his views on race are far more realistic than Bundy’s naiveté, Bundy is the far more respectable character when compared with the odious personality of Sterling.

But both of their views on race are completely wrong. Bundy thinks that if we just stop seeing race and judge people on their “content of their character,” that “the negro” will finally assimilate into American society. Sterling, on the other hand, knows that this is a false notion and non-whites will never assimilate to the status of whites, Jews and Asians – and that’s why he doesn’t want pictures with them on “the instagram.”

Bundy represents an antiquated notion of America that no longer exists (and that’s proven by his ignorance at knowing the term Negro is now considered offensive), while Sterling represents a view that is becoming more prevalent as the upper class attempts to safely navigate a multiracial America and still preserve established notions of prestige (and that’s why he cares so much about his mistress preserving a high-status instagram).

Identitarians should reject both notions. Neither will preserve white identity and both are mental aberrations. Blacks will never embrace the delusion of economic freedom and treating blacks like plantation chattel is utterly vile. The view of Bundy will die soon, but it is possible that the views of Sterling will become more prevalent as more of the meritocracy drop their racial illusions to ensure their own personal security.

But it won’t save them when the non-white hordes they’ve manipulated for years decide to whip out the machetes.

Both views are a result of America’s twilight and reflect the decline in our society. We have to embrace racial views that always place our people’s interest first and never seeks to make our existence as atomized individuals the priority. We have to view ourselves as a collective and attempting to just make our individual lives more comfortable will no longer work. That is the Donald Sterling view of race.

Ethnocentrism is what we should strive for and is an viewpoint that will ensure our people’s survival – not the “colorblind negro” or the “high-status instagram.”

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STIHIE: Boss Wedding

If you needed any proof to confirm Gregory Hood’s assertion that marriage is a dying institution, look no further than the wedding promo video “Boss Wedding.”

We’re bringing back Alternative Right’s famoous “So This Is How It Ends” feature, which highlights particularly insane current events and developments that remind us that we are truly “Revolting Against The Modern World”

If you needed any proof to confirm Gregory Hood’s assertion that marriage is a dying institution, look no further than the wedding promo video “Boss Wedding.”

Made to imitate a rap video, “Boss Wedding” features an interracial couple (pretty blonde/black dude pair) doing ghetto fabulous things before descending into a nightclub packed full of Indian dancers and other signs of the Kali Yuga — all with Jay Z and Kanye West’s “Niggas in Paris” providing the soundtrack. It’s obvious that it cost a small fortune to produce this 2-minute clip.

Note: the groom, Bambo Obaro, is a lawyer who works for one of America’s top law firms, Weil Gotshal (they must’ve been founded by Germans or something). We sure do wonder how Obaro landed a gig there with a degree from a lesser law school…

Bambo + Janice Epic Wedding Trailer from Major Diamond Productions on Vimeo.

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As Boring As Paradise

The problem with dystopias is that they’re often way too optimistic. Either what they warn us against is already happening, or the future they had envisioned turns out to be better than the actual one. To take a striking example, the kind of corporate fascism to be found in Robocop‘s Detroit is unquestionably more appealing than the Haiti-like heap of rubble and crime-ridden cesspool the “Paris of the West” has become.

The problem with dystopias is that they’re often way too optimistic. Either what they warn us against is already happening, or the future they had envisioned turns out to be better than the actual one. To take a striking example, the kind of corporate fascism to be found in Robocop‘s Detroit is unquestionably more appealing than the Haiti-like heap of rubble and crime-ridden cesspool the “Paris of the West” has become.

Elysium is set in 2154, and we’re supposed to imagine what Los Angeles would look like “if current trends are not reversed.” Well, if the ongoing demographic overrun afflicting the West is not stopped, I wonder how there could still be factories producing droid robots. For that to happen, it would require a sufficient number of skilled researchers, engineers, technicians that will likely be gone in mid-22nd century Mexifornia. And given the imminence of this future, I don’t think they’ll have enough time to shut themselves in a space station, chiefly since space exploration has been sacrificed on the altar of racial inclusiveness. Today, the main use of American and European space rockets is to shoot satellites to outer space so that anyone can send that video of a dog peeing on a baby via their “smart”phone. Terraforming Mars or Venus is not a priority.

This was the main trouble with the movie Idiocracy.  Because of centuries of dysgenics, the population has become so dumb that the hero’s lawyer attacks his own client during his Kafkaian trial, but there are still first-class medical facilities and fine cars.

As “nightmarish” as Elysium‘s L.A. seems to Dr. Kevin MacDonald, who is a direct observer of the city, it is what it would look like if things go well. And why should we wait a century and a half to see what will directly result from the coming amnesty?

The war within the liberal mind

This criticism aside, I really enjoyed Elysium and I wouldn’t follow Matthew Heimbach in saying that the movie is “anti-White.”  I think there’s more to this movie than just open-border, pro-amnesty propaganda. It’s more accurate to characterize it as a war within the liberal mind, similar to what Richard had noted when commenting on World War Z.

A superficial analysis would lead to the conclusion that  Elysium tells the story of a Rainbow Democratic coalition claiming its “right” to benefit from Elysium’s delights (healthcare mostly, which rings a bell, three years after the Obamacare bill), reserved so far to an overwhelmingly White, fascistic elite ruling the space station. I would argue exactly the reverse, that if liberalism is anywhere in this movie, it’s aboard Elysium itself.

Much like in Star Trek, the station is ruled by an androgynic, PC learned assembly. The president is an effeminate, racially undetermined progressive who doesn’t want to be too hard on the spaceships full of illegal immigrants that try to storm Elysium, just like today’s European politicians refuse to wreck the boats reaching Lampedusa every day.

Jessica Delacourt (Jodie Foster), though being a Frenchwoman, is the Secretary of Defense of what thus looks like a “Bilderberger” or Trilateral government. No one is forced to take “conspiracy theorists” seriously, but the fact that Elysium’s structure is a circled pentagram often shown inverted on the screen is certainly no coincidence.  As for Elysium’s public buildings, they remind one of the ones in Metropolis or Hunger Games, the latter being troublingly similar to those of  Kazakhstan’s capital,  Astana.

Delacourt faces the usual liberal dilemma: she must resort to fascistic methods (coup d’État, hired killers) to preserve her progressive utopia. Elysium‘s director, Neill Blomkamp, belonging to the Afrikaner people, a progressive nation if there ever was one, it’s not too hard to see why this moral dilemma is at the heart of the movie. The name Delacourt is maybe a reference to South Africa’s French Huguenot co-founders. This character echoes more recent figures from a country ethnically related to the Boer people, and it is the Netherlands, with Pim Fortuyn, Theo Van Gogh and Geert Wilders who can best be defined as worried liberals. Further North, there is Norway’s Breivik.

Boring as Paradise

Elysium is a liberal wet dream: people are “nice,” they spend their days having lavish cocktail-parties along their lagoon-like swimming pools. Their suburban homes are reminiscent of the dying world we witness in American Beauty, with those ubiquitous white-picket fenced houses inhabited by Last Men hardly hiding their unspeakable boredom. If the Elysian life reminds you of some articles or speeches by paleocons and even White nationalists who “just want to be left alone,” it’s normal: conservatives are mainly outmoded liberals, waving a crippled fist at a world they no longer understand.

The problem being, of course, that you can’t preserve a White country when you transform a race of conquerors, creators, builders and navigators in a herd of sheep. Much like zoo lions and tigers, Westerners don’t procreate and die out since the only highlight of the week is to wait for their Friday BBQ with their drone-minded neighbors.

Elysium’s final invasion by third world hordes saddened me, as predictable as it was, but I couldn’t help thinking that it was inevitable. When Whites spend too much time in their comfort zone, their suicidal liberal policies are little more than a waking up from the dream they were stuck in. Elysium is a new Eden, and that’s why it looks so boring.

History implies pain, misery and suffering, but it’s also what it takes to feel really alive.

Outsourcing rebellion to the Third World

In comparison, what’s left of the Earth strikes me as particularly non-liberal.  Men are masculine, women, though not very good-looking, are feminine, manly virtues are necessary to survive the day-to-day violence, and though the general population has little conception of honor, there’s still a warrior ethos embodied by some characters.

The “White Hispanic” character played by Matt Damon, Max da Costa (which sounds more Portuguese/Brazilian than Hispanic to me, by the way), for all his flaws, has renounced crime not out of fear like Zarathustra’s “honest” citizens, but out of choice.

To storm Elysium, Da Costa has to become the 22nd-century equivalent of a Medieval Knight by undergoing a surgical transformation into a droid. Dialectically, his main opponent, Kruger, who is Delacourt’s mercenary, has to follow the same process. To overcome the challenge imposed by the Machine, Man has to become a Machine himself, a dialectic process present in Kubrick’s 2001: A Space Odyssey as well as in the recent low-brow Pacific Rim, where brain-controlled robots bash giant lizards.

In his review of Elysium, Gregory Hood laments that Blomkamp, though conscious of the fact that a non-White take-over of Elysium will mean that the station will know the same fate as Los Angeles, offers no solution. Mr. Hood knows Hollywood too well to ignore that even if Blomkamp is a closet right-winger as Steve Sailer (who is captivating when he’s not sliding on the bell curve) thinks he is, he can’t release a film in which Delacourt is victorious and the Latina Frey can’t heal her daughter’s leukemia.

In a movie Hood’s become a specialist ofThe Dark Knight Rises, we see the Wayne mansion turned into an orphanage for non-White children, something that is probably not to the taste of the elitist Christopher Nolan (whose right-wing leanings are more obvious than Blomkamp’s, despite the parallel that Sailer tried to draw in his review). We also see that Bruce Wayne has become a tourist, content with drinking chianti along the Arno river in the company of a woman who betrayed him quite a few times. That is mildly infuriating, but it’s the only way to have Hollywood display an un-PC message.

In Elysium, we have this vibrant coalition of non-liberal Mestizos and Blacks which defeats a liberal, White elite with token minorities, but we might as well reverse the roles in our heart of hearts and imagine a White coalition storming a White gated community to force its inhabitants to stop fleeing and thus letting their common enemies turn the West into hell on Earth. In what I see as an allegory of White flight, Elysium reminds us that there’ll be no victory for Westerners if they keep believing that shutting themselves in behind CCTV, armored doors, intercoms, code-encrypted gates and other reality-denying devices will suffice to save their and their children’s lives.

It should also warn White nationalists that if an Ethnostate or a collection thereof were to be established some day, it shouldn’t be about “going back” to some reconstructed version of “liberalism when it worked,” for the outcome will always be that of the film.

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