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Radix Journal

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Tag: Proposition Nation

Why I Can’t Stand St. Patrick’s Day

I’ve always instinctively disliked St. Patrick’s Day. Growing up in the ‘80s and ‘90s, I was inured to the multicultural calendar of ethnic holidays I didn’t resonate with or understand….

I’ve always instinctively disliked St. Patrick’s Day. Growing up in the ‘80s and ‘90s, I was inured to the multicultural calendar of ethnic holidays I didn’t resonate with or understand. But no one ever expected me to actually celebrate Rosh Hashanah—or wear T-shirts that read “I’ve got a little Jewish in me” or pinch anyone not donning a yarmulke. At one point, I started wearing Orange on March 17 . . . though the message was seemingly lost on most everyone I encountered.

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America: Imagine the World Without Her

With that in mind, we have to ask just how many would-be conservatives became liberals because of the seemingly willed stupidity and dorkiness of Conservatism Inc. Dinesh D’Souza’s latest documentary is another chapter in this sordid tale of political buffoonery.

How can any well-adjusted, thinking person still associate with official conservatism?

People often choose their political affiliation for social, rather than for ideological reasons. They want to align with groups that are smart and successful. With that in mind, we have to ask just how many would-be conservatives became liberals because of the seemingly willed stupidity and dorkiness of Conservatism Inc. Dinesh D’Souza’s latest documentary is another chapter in this sordid tale of political buffoonery.

America: Imagine the World Without Her has the same flavor as the latest batch of evangelical movies, and rivals them in its lack of intellectual cleanliness. It features two squishy songs (here’s one) by acoustic guitar-wielding boy-men that are more fit for a middle school revival than a documentary that attempts gravitas, and D’Souza talks about the American founding as though it were the Immaculate Conception.

But that should come as no surprise when the film sets to perpetuate the myth of America as the glorious proposition nation that has overcome the universal faults of the world. Like the Messiah, America was created to expunge the universal sins of the world and offer man the promise of living in a merchant paradise. DSouza also promotes the myth that the old-timey America can be restored and the 1950s can be carried on for all of eternityas long as we vote Republican and live up to the Constitution.

With this in mind, the only people who should enjoy this movie are over the age of 50 or diehard believers in the conservative movement. DSouza himself compounds this problem by attempting to inject himself into every scene of the movie.

Just as viewers cant escape seeing Michael Moores corpulent figure in his films, DSouzas turtle-like resemblance is nearly as aesthetically unpleasing. The close ups of his smarmy face reveal his unbearable narcissism to many viewers.  His sense of victimization and his depiction of himself as some kind of martyr for conservativism widens the problem. But the real DSouza is just an immigrant plagiarist felon with no original ideas. He even stole the opening credit scene from Conan The Barbarianparadoxically, as the films message denounces the value of conquest.

The films subtitleImagine the World Without Heris misleading as the real purpose of the film is to address leftist accusations that America was built on conquest and theft. Except for the introduction, which dramatizes George Washington being gunned down by a British sniper, we never are shown the path of what the world would be like without the United States.

Instead, the film focuses on combating five alleged charges that the left promotes against America. They are: America committed genocide against the Indians and stole their land; America waged an unjust war against Mexico and stole their land; America enslaved millions of blacks and stole their labor; America practices imperialism and has stolen resources from around the globe; and America practices capitalism, which is an unfair economic system that favors the wealthy over the poor and is theft enshrined as economics.

The heroes of the film are George Washington, Abraham Lincoln, and (naturally) Martin Luther King Jr. The bogeymen are Howard Zinn, Michael Moore, Hillary Clinton, Saul Alinsky, and, of course, Barack Obama. This is history according to conservatives.

DSouza response to the charges postulated by Zinns A Peoples History to the United States is simplethose faults are attributable to the universal conquest ethic which America has overcome by adopting the ethic of the merchant. This is in many ways an inversion of the caricatured leftist thinking DSouza malignsthe parts of American history which violate his moral sensibilities are attributed to universal failings, while the virtues of America, however, are peculiar only to her. And he answers all charges with this mentality.

The Indians practiced conquest as well and Americans sometimes bought their land legally, thus no harm done. Mexico oppressed Texas, we answered the call to save the Southwest, and we gave back most of the country to Mexico, thus no harm done. Slavery was wrong, but blacks can now be great entrepreneurs and we sacrificed 600,000 lives to end it, thus no harm done. Our foreign wars have been on behalf of freedom and we have never exploited countries for resources, thus no harm done. Finally, capitalism is an amazing system that benefits everyone and depends on hard work, thus no harm done.

Unfortunately for DSouza, all of his rebuttals the left can easily dismiss and they glaringly overlook facts that Zinn and others use for their critical arguments of American history. But that doesnt matter since this film is an exercise in mythmaking and anything that would undermine the notion that America offers opportunity to all and was founded by entrepreneurs, rather than conquerors, is not expected to be offered.

For the main argument DSouza uses to praise America is that it took a different path from that of every other nation in human historythat it did not base itself on the conquest ethic. America, according to DSouzas, based itself on the merchant ethic instead. This ethic placed profit, security, comfort, and materialism above the martial virtues of conquest. The movie acts as an exposition in the merchant mindsetmerchant values above all others. For him, the real heroes of America are its entrepreneurs, not its warriors. To emphasize that America is on a different path, he points out that the entrepreneur was frequently far down in the caste system in every Traditionalist society and cites quotes of Traditionalist thinkers disparaging enterprise as less noble than theft to drive home his thesis. On the other hand, the businessman is the pinnacle of American society and entrepreneurship is treated as sacrosanct.

In many ways, the criticisms that Zinn makes of America as a nation based on conquest is what makes the nation worthy of any respect. A country in order to survive has to emerge out of violence and struggle. You either fight, or you die. The fact that a few frontiersmen from the British Isles were capable of taking over an entire continent is something that should be celebrated, not overlooked in favor of entrepreneurs who pushed hair care products to black women (which is one of Americas heroes). Our side probably agrees more with Zinns assessment of America rather than DSouzas, as well as the actual facts of history.

Considering DSouzas intended audience, he adds that America bases itself on low-church Protestantism and how the only cultural heritage America has is how its population was more likely go to church and provide private charity. Thus, when DSouza wants to pinpoint the quintessential American, he chooses Star Parker. Parker is a Black conservative scammer extraordinaire who racked up multiple abortions early in life while living on welfare. She then found Jesus and has become an entrepreneur in conning White conservatives out of their money by promising to do outreach to the Black community. Thats America folks.

This goes perfectly well with DSouzas celebration of America as the only true proposition nation, where even non-White plagiarists like himself can make a buck. For this argument, he doesnt use his smarmy self to make the pointhe uses a speech by U2 singer and perpetual Africa activist Bono to state the thesis instead.

 Here are some highlights from Bonos speech:

  • “America’s an idea, isn’t it? I mean Ireland’s a great country, but it’s not an idea. Great Britain’s a great country; it’s not an idea.”
  • “That’s how we see you around the world—as one of the greatest ideas in human history. Right up there with the renaissance, right up with crop rotation and the Beatles’ White Album.” 
  • “The idea is that you and me are created equal…the idea that life is not meant to be endured, but enjoyed. The idea that if we have dignity, if we have justice, then leave it to us, we’ll do the rest.”
  • “This country was the first to claw its way out of darkness and put that on paper.” 
  • “I know Americans say they have a bit of the world in them, and you do–the family tree has lots of branches. But the thing is, the world has a bit of America in it, too. These truths–your truths–they are self-evident in us.”

Instead of a nation united by blood, culture, and soil, were a nation bonded together by abstract principles of commerce and comfort. I cant imagine a more damning argument against the American idea.

The film concludes by focusing on Saul Alinsky and his acolytes nefarious plan to destroy these ideas and turn America into a socialist dystopia that hates the Constitution, and how Obama is now going after dissenterslike convicted campaign fraudster DSouza. Unfortunately for DSouzas intentions, Alinksy comes off as by far the coolest guy in the movie. He has gravitas, he has balls, he has ideals, and he seems to oppose all of the stupidity and childishness promoted for the past two hours. After seeing this movie, Id rather be an Alinskyite than a conservative.

The stupidity and childishness that underlies this film drives intelligent people into the arms of the Left. The movie made me want to become a liberal. He only has a place for the entrepreneur. The laborer and employee have no significance. Conquest is immoral and consumerism is awesome. Go to a mega church and make a buck off pointless products. That message makes my very being revolt in anger.

From the triumph of merchants over conquerors to the glorification of the proposition nation, Identitiarians have little in common with this films ideas. It puts into visual form the vast differences between us and our conservative peers, and dispenses with the illusion that they will ever come to radical thought with their own devices. The state and culture despise the aging Middle Americans who will take to this film, while those same audience members cling to the America that is no longer their
s. These people need to be shocked out of their stupor and wake up to the reality that this is no longer their country and the ideas promoted by schlock like America should be discarded into the dustbin of history.

They need to start imagining the world without Americabecause their world is about to get worse with her still around.

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Rainbow Nation

The original Rainbow Family met a gruesome end in the jungles of South America, but its spirit still infuses all major social institutions in the United States.

November 2013 was a month of key political anniversaries in America, with 150 years having passed since Abraham Lincoln’s Gettysburg Address and 50 since the assassination of John F. Kennedy. While Lincoln articulated the United States as a Proposition Nation ordained to illuminate the world with freedom in 1863, Kennedy’s execution a century later revealed in brazen fashion the inescapable reality of oligarchic rule in democracy[1]. Though the importance of these events should not be diminished, another anniversary has eluded our attention: that of the mass-murder suicide of 913 cultists from the People’s Temple in Jonestown, Guyana. Thirty-five years later, Jonestown is now mostly remembered for its signature cocktail of cyanide-laced grape Kool-Aid[2]. Yet it is this tragedy, brushed aside as the handiwork of a lone maniac, that heralds the results of the liberal experiment.

Long before collecting children from third-world countries became chic among Hollywood celebrities and megachurch Evangelicals, the eccentric Marxist Reverend Jim Jones and his wife Marceline had already formed their own “Rainbow Family” in Indianapolis, Indiana, in the early 1960s[3]. This was comprised of three Koreans, an African-American boy, an American Indian girl, a White adopted boy, and the couple’s own biological son. Jones, a Pentecostal preacher who sold monkeys on the side, was known as “Father” to his mostly inner-city Black congregation, which he named the People’s Temple, itself an extended Rainbow Family upheld as the prototype for humanity’s future development. Soon finding the Midwest inhospitable territory for his progressive vision, Jones took the People’s Temple to California, where by 1974 it would flourish in the counter-cultural laboratory of San Francisco.

One striking note in interviews with survivors is their conviction that the People’s Temple was a wondrous “mosaic” of harmony and fusion between different peoples. The white members who joined seemed positively intoxicated by the sense of racial equality on display in Jones’s church; here was a chance to demonstrate avant-garde morality and strike a blow for progress. And over decades of coverage of the Temple, from heady days of prominence in San Francisco to post-massacre trauma, the news media have helpfully reinforced this narrative[4]. What should have been a project for a bright new tomorrow suddenly “went wrong,” as the story goes. Its leader, after all, was a drug-addled madman. But Jones was not merely some charismatic charlatan who managed to deceive society for a time; he embodied the ideals of the American civic religion—pluralism—and played them out to their ultimate conclusion.

Almost from the moment of the Columbian discovery, America has been subject to mystical speculation over its role in inaugurating a New Order of the Ages. Sir Francis Bacon, one the greatest minds of the Elizabethan era, imagined a thinly veiled virgin continent as the New Atlantis under Rosicrucian rule[5]. A ready refuge for centuries of Quakers, Shakers, hucksters, and heretics, America would accommodate the growth of innumerable sects and religious crazes due to a combination of popular pietism and constitutionally encoded state indifference. The appearance of an organization like the People’s Temple was therefore less of a novelty even in the conservative Midwest than it was a familiar facet of national life.

In the revolutionary spirit of 1776, Jim Jones was first and foremost a fire-breathing egalitarian. Sunday services at the Temple, headquartered at a former synagogue in the rundown Fillmore district, featured a carnival-like atmosphere of revival preaching flavored with leftist activism. Once raucous Gospel music, dance routines, and comical faith healings lathered the crowd into a frenzy, “Father,” clad in trademark shades and choir robe, would descend to the pulpit from his elevated chair, an American flag on one side and a poster-sized Declaration of Independence on the other. Warming up with down-home vulgarity, he’d then launch into extended harangues on socialism, racist government persecution, and his own divine greatness. By channeling the ressentiment of his followers and playing upon their hopes and fears, Jones effectively became both Norman Mailer’s alienated White Negro and an unscrupulous Superman who drew his strength from mass manipulation. And Jones’s rants were remarkable not only for their length, but especially for their consistent inversion of orthodox Christian doctrine, rejecting the Kingdom of Heaven for a perfected kingdom of this world.

For all of Jim Jones’s efforts at innovation and originality, the People’s Temple was just a new rendering of the chiliastic temptation, that “City on a Hill” so central to the American messianic mythos. Seventh-century Puritanism had long since devolved into secularized forms, but in the marketplace of ideas, its zealotry still manifested in moralistic social movements like suffrage and civil rights, as well as fringe sects like the Temple. Jones’s syncretistic brew of holy-rolling Communism was reflective of a counterfeit spirituality ascendant after Enlightenment rationalism and materialism had so successfully wreaked havoc upon the traditional worldview of Western man. Deprived of divine Truth or programmed to disdain such embarrassingly outdated notions, moderns have chased after simulacra of transcendence by adopting every manner of surrogate religions, from the Prosperity Gospel to self-help psycho-twaddle and New Age magical narcissism. Here the California-born Sufi writer Charles Upton provides especially useful context from his own experience:

As the early and mid–20th Century had called for culture and education for the masses, we called for mass enlightenment… The legacy of old-fashioned American revivalism abruptly encountered psychedelic drugs, exotic religions, 20th Century ideas of evolution and progress, and the shock of the war in Vietnam to produce a ‘go for broke’ attitude: ‘give me Enlightenment or give me death; Apocalypse Now.’

Due to increasing press scrutiny of torture, brainwashing, and sexual abuse within the People’s Temple (Jones was omnivorous in his depravity, carrying on numerous affairs with the women surrounding him and sodomizing his male adherents), the cult hurriedly left San Francisco for its jungle outpost in Jonestown, Guyana, in 1977. Like the Jacobins and Bolsheviks before him, Jones promised the citizens of his new society a radiant paradise of freedom, equality and brotherhood, only to deliver them unto misery and death. Having killed a U.S. Congressional Representative on a fact-finding trip to Guyana a year later on November 18th, the patriarch of the Rainbow Family opted for revolutionary suicide rather than see his life’s work unravel[6]. Invoking the words of Doors frontman Jim Morrison, Jones showed himself an “erotic politician” on a mission of annihilation, a veritable medium for demonic forces unleashed upon the world.

Anglo-Saxon democracy does not appear at first glance as destructive as the maximalist programs of a Robespierre or Trotsky, yet America is acquiring certain features characteristic of the People’s Temple. Lest anyone raise the objection that Jim Jones was an un-American Communist psychopath, it’s worth remembering that the United States was founded upon the same revolutionary abstractions of liberty and equality that time and again have given rise to tyranny. Liberal pluralism, a potent weapon of the plutocrats who seek our enslavement, first produces spiritual, moral, and physical chaos, which in turn serves as a convenient introduction to the militantly tolerant police-state panopticon. Jones would have exalted in the capabilities afforded him by an NSA total surveillance grid, and he certainly would have given hearty approval of mass immigration and Washington’s plans to further “diversify” the country through population resettlement. Far from promoting friendship and brotherhood, the false virtues of egalitarianism lead only to paranoia, envy, hatred, and the murder-suicide of nations.

Though the People’s Temple was conceived as a universal model for all mankind, it was at its most basic level a Black church. For that simple reason primarily Black Americans suffered at the hands of their prophet at Jonestown; around 80 percent of the victims were identified as such. In a cruel irony, Jim Jones, the all-loving “Father,” the tireless anti-racist advocate and integrator, flew hundreds of African-Americans to their deaths at a tropical slave plantation maintained by armed guards and a fanatical inner circle of White female administrators. Other suspicious circumstances have even suggested the whole bizarre saga was possibly a mind-control operation conducted by U.S. intelligence agencies.

With the passing of decades since Jonestown, the Black community in the United States remains just as vulnerable to government social engineering and corporate exploitation, often acting as a test subject for whatever new cultural pathogen our controllers have devised. The record includes unethical medical experiments, the taxpayer-subsidized ruin of the Black family (with a resulting surge in crime), and the CIA’s facilitation of the crack cocaine epidemic in the 1980s, not to mention the relentless, full-spectrum promotion of degeneracy by media organs quite openly intent upon smearing everyone in filth. And any principled black voices willing to oppose this system are studiously ignored. “Integration” with the regime benefits self-appointed spokesmen such as Al Sharpton and public sector unions, while calls for integrity and autonomy from the likes of Booker T. Washington and Malcolm X have been forgotten in an atmosphere of corruption and decay.

To best understand the People’s Temple as an American phenomenon, we must look to its “white-bread,” all-American congregants. What sort of fever impelled educated, professional young White women, or young couples raising families, into the embrace of Jim Jones? The road to Jonestown was paved with the lofty expectations of American pluralism, transmitted through cradle-to-grave indoctrination. Countless times in their upbringing, at school, on television, or at home, children in the United States have learned that our nation is a proposition, a place for every tribe of man to merge as one in the pursuit of happiness, i.e. plentitude and pleasure. As ancestral memories often fade within a generation, Whites in particular, long the main source of “human capital” in this enterprise, have consequently defined identity according to the universalist constructs bequeathed us by the Founders and their disciples.

There is a terrible price to pay, however, for imposing the reign of equality. If the Brave New World is to survive, rites of blood tribute must be performed to satiate its dark gods. In 1978, Jim Jones and his impeccably progressive inner circle murdered nearly 1,000 sect followers, mostly Black families, rather than relinquish utopia. Today U.S. policy elites carry out war and subversion to export liberal democracy across the globe while racial antagonism at home takes on ever more vicious forms. The latest nationwide trend, often known as the “knockout game,” consists of groups of young Black males attacking most commonly White (and sometimes Asian or Jewish) pedestrians. Hoover Institution fellow and Black columnist Thomas Sowell has forthrightly identified the implicit racial motivations behind the acts, and Mike Tyson, a man who knows a thing or two about knockouts, called the perpetrators “evil.” The media, meanwhile, strives mightily to misdirect its audience with regard to the nature of this violence, in the process hoping to salvage the imploding pluralist dream, an illusion that no amount of entertainment spectacle, debt schemes, or overseas adventures can sustain.

The original Rainbow Family met a gruesome end in the jungles of South America, but its spirit still infuses all major social institutions in the United States. Jonestown’s millennialist Marxism and international capitalism both reduce existence to the purely material plane and man to an economic unit stripped of any higher meaning. What we know to be the actual diversity and dignity of creation among mankind must be abolished and re-engineered into Diversity, Inc., as life attains all the depth of a Doritos commercial. A coming unified race of Wal-Martians is to worship at the altar of Mammon, whose incarnation will utter blasphemies earlier foreshadowed by the Reverend Jim Jones:

I am freedom. I am justice. I am peace, and I am equality. I AM GOD!


  1. December of 2013, marks 100 years since the incorporation of the Federal Reserve System, the Money Power’s open declaration of hegemony over America.  ↩
  2. The powder drink was actually a similar product called Flavor-Aid.  ↩
  3. Jones was well-known as an influence broker in San Francisco politics, a role that earned him a seat on the Housing Commission. The assassination of Mayor George Moscone and Harvey Milk, both of whom were closely tied to Jones, came just nine days after the massacre at Jonestown.  ↩
  4. Jones’s eccentricity was so far-ranging that his boyhood peers observed him killing cats and holding funeral ceremonies for them. Fyodor Dostoevsky’s vile Smerdyakov engaged in the exactly the same practices as a child in The Brothers Karamazov.  ↩
  5. Bacon was quite prescient about the role of secret societies in establishing the New World; the United States was founded upon Masonic Enlightenment ideology.  ↩
  6. Jones would privately confide to his lieutenants that he was atheist or agnostic. Nonetheless, the rebellion against God presupposes one’s own desire to become a god. Thus Jones could at once deny the “Sky God” and assert his own divinity. Dostoevsky already laid out the results of such a quest in The Possessed. The atheist Kirillov denies Christ the God-man and seeks to affirm his own godhead, an objective he deduces can only be reached through suicide.  ↩
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