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<oembed><version>1.0</version><provider_name>Radix Journal</provider_name><provider_url>https://radixjournal.com</provider_url><author_name>Radix Journal</author_name><author_url>https://radixjournal.com/author/radix-j-web/</author_url><title>Nowhere Man | Radix Journal</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="5cj8ofq5n2"&gt;&lt;a href="https://radixjournal.com/2015/03/2015-3-21-nowhere-man/"&gt;Nowhere Man&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://radixjournal.com/2015/03/2015-3-21-nowhere-man/embed/#?secret=5cj8ofq5n2" width="600" height="338" title="&#x201C;Nowhere Man&#x201D; &#x2014; Radix Journal" data-secret="5cj8ofq5n2" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><thumbnail_url/><thumbnail_width/><thumbnail_height/><description>If there is a consistent theme in Linklater&#x2019;s work, apparent from his earliest Slackers, it is that life merely connects loosely related moments largely outside one&#x2019;s control. Some fatuously resist this, thereby providing sources of humor, occasional belligerence, and sorrow, whereas others understand this and go with the flow. This is the river of life in all its melancholy beauty, and its navigation is a subtle thing. &nbsp;</description></oembed>
